Reinventing the Life of a Poet in the Modern World

Category: Whole Life of the Poet (Page 11 of 18)

Another Poet in the Family

FireflySo it turns out my maternal grandmother’s aunt was also a poet. I found another distant relative poet on my father's side and blogged about it a few years ago in these posts:

Marylu Terral Jeans
My Poet Ancestor's Miracle Poem

I found out my grandmother's aunt was not only a writer, but she played a crucial role in my grandmother’s life, giving her a place to live after she ran away to put herself and her sister through college. My grandmother's Iowa farmer dad was literally going to keep her from going to school. But my grandmother had spunk and put herself through college in the 1920s! Amazing. Anyway, the aunt who helped her lived in Washington state and she was a writer.

Anyway, I reconstructed a poem erle Kulow Sherrill composed that was printed in her mother's obituary. It's a good, albeit depressing little ballad.

The Failure
by Merle Kulow Sherrill

Although I ever did my best,
My best was far form good.
Although I failed to reach the goal
I did the best I could.

Long days I toiled 'neath the burning suns
With hand that knew no skill. 
Although I strove with might and main,
The place I could not fill,

I longed to write some kindly thought
To cheer my fellow men,
Alas, the words I could not form
Beneath my faltering pen.

I fain would sing a joyous song
To brighten land and sea,
But I alone in all the world
Have heard the melody.

I sought to paint a picture bold
To stem the world's mad rush,
The colors somehow failed to blend
Beneath my faulty brush.

And when there comes the long dark night
That ends my futile day,
And when I stand before the throne
What will the Master say?

Perhaps He'll turn His grieving face
And say "You must depart,"
Or, will He take me to His breast
With understanding heart?

Somehow, I feel He'll say to me,
"You did but little good,
But enter through the Fates of Peace,
You did the best you could."

Also found at: http://www.poetryexplorer.net/poem.php?id=10126803

Despite mostly searching in vain for more information about my mother’s great aunt, we did find some sheet music authored by her, called “Firefly” by Merle Kulow Sherril from Harold Week’s Publisher out of Tacoma, Washington. The cover boasts a  possibly northeastern American Indian woman replete with headband and feather, teepees and pine trees in the background, holding her arm out to the name beyond the border of the picture. There are indecipherable pencil notes written on each page.

Firefly
by Merle Kulow Sherrill

The night winds wing of my lost Firefly.
Sad is the strain of their lullaby.

Birds softly chant in their quiet flight
And call her name in the silent night.

Firefly sleeps at the end of the trail
Under the glow of the starlight pale.

Under the glow of the soft moon light,
Firefly sleeps. My Firefly sleeps.

Shell run no more in the dewy morn,
Nor answer gaily the hunter’s horn.

She’ll sing no more through the golden noon,
Nor dance again ‘neath the harvest moon.

Firefly sleeps at the end of the trail,
Under the glow of the starlight pale.

Under the glow of the soft moon light,
Firefly sleeps. My Firefly sleeps.

Her face I see in each sparkling rill.
Her laughter sounds from hill to hill,

I call her name by the lonely shore,
But Firefly comes to my side no more.

Firefly sleeps at the end of the trail,
Under the glow of the starlight pale.

Under the glow of the soft moon light,
Firefly sleeps. My Firefly sleeps.

I can’t read music so I’m mapping the lines in my head to the song Sleazy by Kesha and/or the Ben Folds cover version.

Could this be a literal poem about a firefly? Why is Firefly always capitalized. Is the lightning bug symbolic for something else, a love story maybe? Where did she go, this female flight of light? So many questions.

  

National Poetry Month 2016 Is In Swing

2016-poster2 National Poetry Month 2016 is off to a busy start. To the left see this year's Academy of American Poet's poster. I wasn't crazy about it so I didn't purchase one. But you can purchase all their yearly posters.

I'm participating in NaPoWriMo again this year on Hello Poetry but I'll be doing the daily prompts for the first time. My over-arching add-on is that all the poems should be about this year's election cycle. I'm calling it 30 Poems About the Same Thing. It's been challenging to be balanced and take a larger-than-partisan view.

Bustle Magazine just posted a good list of 9 ways to add more poetry into your life. The Academy of American poets also posted their 30 ways to celebrate list (including some good essay links).Great

Julie Wiskirchen also came across this great poetry website while attending BinderCon last month in Los Angeles http://poetryhasvalue.com/, a site which tracks markets that pay for poetry.

Don't forget that National Poetry Month has a capstone holiday on April 28 which is Great Poetry Reading Day. Some sites that detail the holiday:

To clarify, this is not Crappy Poetry Reading Day so make sure to find something Tony the Tiger would be proud to read.

How to Become Well-Rounded Poet

FoodHere's an idea: the way to becoming a well-rounded poet is similar to the way to becoming a well-rounded person. And spring is the perfect season to broaden your horizons.

In the movie about the collaboration between W. S. Gilbert and Sir Arthur Sullivan, Topsy Turvey, Gilbert is accused of being in a rut, writing the same ole story over and over and his composer Sullivan just doesn’t want to do it anymore. Meanwhile, Gilbert's wife goads him into attending the local Japanese Expo where he witnesses a new culture for the first time. One of the great, great scenes in the movie is a closeup of Gilbert as this new cultural information translates into a novel idea for him. Literally, Gilbert enacts the moment when a new thought appears like a sparkle in his eye. Jim Broadbent plays Gilbert and gives an amazing performance of this experience. Their musical The Mikado is the result of this inspiration.

Spring is the time for new input opportunities for your eyes, ears and smells!

  • Go to see new art exhibits at local museums and galleries.
  • Rent art documentaries from your local library.
  • Take an online class on a composer or find music documentaries from your local library.
  • Find out when your nearest city is having their Restaurant Week and price fix on fine dining for a fraction of the cost. Search Google for "Restaurant Week" and your city name.
  • Go see the Oscar Shorts at your local theater or online.  Oscar shorts are the short films nominated for Oscars in the categories of live action, animation and documentary. They tend to be very poem like in their constraints of length and storytelling.

Often art-changing inspiration can be found by taking a chance on something completely new.

  

Food for Writerly Thoughts 2015

Chuck-jonesFor the past few months for work I’ve been reading the Bo Sacks newsletters on marketing and publishing issues. Here’s a sample of one of Bo Sack's pieces

He posts a plethora of good quotes that apply to writers and thinking. Here are my many favorites so far:

Living a Life

"My fate cannot be mastered; it can only be collaborated with and thereby, to some extent, directed. Nor am I the captain of my soul; I am only its noisiest passenger." Aldous Huxley

"The saddest aspect of life right now is that science gathers knowledge faster than society gathers wisdom." Isaac Asimov

"If you believe the doctors, nothing is wholesome; if you believe the theologians, nothing is innocent; if you believe the military, nothing is safe." Lord Salisbury

Thinking Better

"The wise man doesn't give the right answers, he poses the right questions." Claude Levi-Strauss

"It's not what you look at that matters, it's what you see." Henry David Thoreau

"Anyone can negatively criticize – it is the cheapest of all comment because it requires not a modicum of the effort that suggestion requires." Chuck Jones

"The golden age is before us, not behind us." William Shakespeare

"I have always thought the actions of men the best interpreters of their thoughts." John Locke

"The greatest deception men suffer is from their own opinions." Leonardo da Vinci

An interviewer once asked Ursula K. Le Guin advice for writers, and she replied: "I am going to be rather hard-nosed and say that if you have to find devices to coax yourself to stay focused on writing, perhaps you should not be writing what you're writing. And if this lack of motivation is a constant problem, perhaps writing is not your forte. I mean, what is the problem? If writing bores you, that is pretty fatal. If that is not the case, but you find that it is hard going and it just doesn't flow, well, what did you expect? It is work; art is work."

The final one is a quote from James Taylor on a recent Oprah’s Master Class episode: “Those days the amount of time to consider, experiment without distraction was a lot longer. It’s very easy today to be distracted. You actually have to really defend your time in order to have a long thought.”

Reach

"Fiction is the truth inside the lie." Stephen King

"A good teacher, like a good entertainer first must hold his audience's attention, then he can teach his lesson." John Henrik Clarke

"If you're riding ahead of the herd, take a look back every now and then to make sure it's still there." Old West Proverb

Bearing the Business

"The reading of all good books is like a conversation with the finest minds of past centuries." Rene Descartes
("The reading of all good books on any substrate is like a conversation with the finest minds of past centuries." BoSacks Corollary) 

"A rejection is nothing more than a necessary step in the pursuit of success." Bo Bennett

"It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things." Leonardo da Vinci

"You have to learn the rules of the game. And then you have to play better than anyone else." Albert Einstein

"It is change, continuing change, inevitable change, that is the dominant factor in society today. No sensible decision can be made any longer without taking into account not only the world as it is, but the world as it will be." Isaac Asimov

"Success is not final, failure is not fatal: it is the courage to continue that counts." Winston Churchill

"The only good luck many great men ever had was being born with the ability and determination to overcome bad luck." Channing Pollock

"Sometimes life hits you in the head with a brick. Don't lose faith." Steve Jobs

"Nothing strengthens authority so much as silence." Leonardo da Vinci

  

Year-End Poetry News and Christmas Poems

XmasgiftbookThis is my last week of posts for the year. It will be Christmas parties here on out for me! Here is a final list of poetry news from the Fall and Winter months.

Poetry Christmas Gifts!

It's easy to poetry this year for Christmas gifts because there are quite a few "best of" lists available.

The winner: Robin Coste Lewis, Voyage of the Sable Venus (Alfred A. Knopf)
The Finalists:
Ross Gay, Catalog of Unabashed Gratitude (University of Pittsburgh Press) Interview
Terrance Hayes
, How to Be Drawn (Penguin/Penguin Random House)
Ada Limón, Bright Dead Things (Milkweed Editions) Interview
Patrick Phillips
, Elegy for a Broken Machine (Alfred A. Knopf) Interview

Holiday Poems

And if you'd like to hand out free poems of holiday cheer, here are some good resources:

Christmas Poems

Hanukkah Poems

Poetry News

DispenserPublishing

2015 Digital Publishing Trends

Short story dispensers 

Living Poets

Billy Bragg: 'I got this crazy idea I was a poet' (The Guardian)

This Feminist Tumblr Star Will Change How You Think About Poetry (Vocativ)

Poet Reviews

John Updike the poet? (NBC)

Legends

Millennial Emily: Reimagining a poetry icon (Martha’s Vineyard Times)

Poet Carl Sandburg's Old House Being Renovated For A New Era (DNA Info Chicago)

Famed Poet Edna St. Vincent Millay’s Birthplace Endangered (The Free Press-Maine)

PlathRemembering Sylvia Plath (New York Daily News)

In honor of Sylvia Plath’s birthday, listen to her read a poem about the depressing side of birthdays (The Boston Globe)

Political Poetry

A poet and a police chief on the language of race (Minnesota Public Radio)

In 'Bastards Of The Reagan Era' Reginald Dwayne Bettes Says His Generation Was 'Just Lost' (NPR Books)

Authors urge China to release Nobel prize winner on seventh anniversary of his arrest (The Guardian)

Outrage over Saudi death sentence for poet on blasphemy charges (CNN)

   

Poets of Influence: a LinkedIn Survey

SonnyOver the last few weeks, one of the LinkedIn poetry groups has been discussing "which poet has had the most influence on you." After the first 23 days, 128 people had responded and most couldn’t keep it to just one poet who inspired them.

When I noticed that the majority of the influences were dead, (and many long dead at that), I decided to categorize all the responses. Here’s what I found:

  • 128 people responded in 23 days (the poll is still ongoing but I had to cut it off somewhere).
  • 201 dead poets were elected as influences.
  • 50 poets were living or had died only within the last year.
  • 3 people admitted they didn’t even read poetry.
  • 4 people (including myself) elected songwriters. The first person elected Alicia Keys and was roundly criticized for it. Not seeing this censure in time , I came along and made a case for Joni Mitchell (three of her early albums taught my appreciation of similes) and Sting (he taught me extended metaphors on his Dream of the Blue Turtles album, although "King of Pain" has some awesome similes, too), and one person later voted for Bob Dylan.
  • 4 people elected children’s poets: two elected Dr. Suess, one elected A.A. Milne and 1 elected Shel Silverstein. To be honest, I should have mentioned Dr. Seuss and Shel Silverstein, too. I was indeed influenced by the meter and word-inventions of Dr. Seuss and Silverstein’s “A Boy Named Sue” which I pilfered from my father’s Johnny Cash collection. The song made an indelibly subconscious impression on me for many years and my appreciation for internal rhyme and alliteration. 

If I’m being totally honest, I’d have to list Sonny Bono's influence in Cher songs as well. Thousands of listening hours later, some of that shit had to have seeped in!

  

Poetry in Unlikely Places

ScI started taking the Emily Dickinson Harvard online course a few weeks ago. While flipping through my Dickinson anthology, Final Harvest (it wasn’t), I came across a poem I had marked in college as having been in the movie Sophie’s Choice. Remember the scene where Meryl Streep goes into the big, intimidating library looking for Dickinson’s poems and mispronounces her name and then faints?

At least that’s how I remember it from the time I rented the cassette from Movies To Go. Later, she quotes this poem:

 “Ample make this Bed–
Make this Bed with Awe–
In it wait til Judgment break
Excellent and Fair.

Be it Mattress straight–
Be its Pillow round–
Let no Sunrise’ yellow noise
Interrupt this Ground—"

(1891)

Monsieur Big Bang and I joined our local food co/op this year. How happy was I to find a poem in the September newsletter? Very! It was a piece by a well-known ABQ poet, Hakim Bellamy. The newsletter is doing a series of his poems in partnership with the Santa Fe Art Institute around food justice, food security, food deserts (like local reservations and barrios).  Find out more at: http://sfai.org/food-justice/  and http://sfai.org/residencies/food-justice-residents/.

Here are two excerpts:

“Back when medicine men
and medicine women
could not save someone’s life
without seeing how they live.”

and

“…there is no time for hunting and gathering
between Bob’s Burgers and bus tops."

You can read the full poem on page 4 of the newsletter’s online version: http://issuu.com/lamontanitacoop/docs/september_2015_cc

Television!

Sometimes it’s good to look at what your competition is doing. If you don’t think TV is really your competition, (you’re so over it), listen to what this literary-lover has to say about TV today in this article form The New York Times.

Some poets I know love to keep insisting TV is the eternal boob tube. And two minutes later they lament about poetry's low readership, never noticing how out of touch they come across. Television: has so much changed or have people finally figured it out? You’re not competing with BAD television, your competing with GOOD television!

   

Rejection: #PickingUpThePiecesSaturday

SaddogI’ve been a sad dog lately.

I received a big rejection the evening starting off Labor Day weekend. At least the rejecting press gave me two free poetry Acebooks just for playing.  

But this was a big one. I spent 10 years working on a project with a primary publisher in mind. In the past 10 years, granted, the publisher has changed. But I felt I had to give it the old college try.

So it was a #PickingUpThePiecesSaturday for me, listening to ABBA’s “The Winner Takes It All” on iPod repeat and crying into my hard cider (ACE brand is my personal favorite).

   

What Poets Can Learn From Marketers & Their Attitudes About Empathy

EmpathyWe’ve been talking about how mindfulness and meditation affects the physical makeup of your brain’s gray matter and how ability to empathize is affected.

Poets may not consciously realize how empathy is working or not working when they write poems but even a decision to be emphatic or the ability to do it will affect the content and the tone of the poems you write and how you critique every other poem you encounter, the content of that poem and your attitude toward the poet who wrote it.

So at a foundational level, empathy will affect what you write and how you read because it fundamentally affects how you conceptualize the world.

From a brazenly marketability viewpoint, empathy is one of the big buzzwords these days. Similar to writing a poem, your ability to empathize affects the very foundation of any product you design. Without customer empathy, you can’t understand customer needs. Marketing guru Seth Godin defines what empathy is in this blog post:

Empathy doesn't involve feeling sorry for someone. It is our honest answer to the question, "why did they do what they did?"

The useful answer is rarely, "because they're stupid." Or even, "because they're evil." In fact, most of the time, people with similar information, similar beliefs and similar apparent choices will choose similar actions. So if you want to know why someone does what they do, start with what they know, what they believe and where they came from.

Dismissing actions we don't admire merely because we don't care enough to have empathy is rarely going to help us make the change we seek. It doesn't help us understand, and it creates a gulf that drives us apart.

He also talks about flipping the rules here: http://sethgodin.typepad.com/seths_blog/2015/08/the-permanent-rules.html

In this PDF on Design Thinking:

Empathy is the centerpiece of a human-centered design process.  The Empathize mode is  the work you do to understand people, within the context of your design challenge.  It is your effort to understand the way they do things and why, their physical and emotional needs, how they think about world, and what is meaningful to them….WHY empathize? As a design thinker, the problems you are trying to solve are rarely your own—they are those of  a particular group of people; in order to design for them, you must gain empathy for who they are and what is important to them.

Honestly, most of us have fallen somewhat short of empathy as critics. We’re too self-focused. But as a customer we usually get it immediately. We think, “You better understand me or I won’t buy your device, soap or service.”

But what about books and poems? Why is it taboo to have empathy for a customer as a reader? This is not to say you should write poems like a marketer would, although you’re free to try that. (Big secret: marketers have yet to understand how to do this themselves.) But it's the practice of human empathy that is the issue here.

Because marketers are under such pressure to sell, (and because they can be psychologically ruthless about it), marketers and product designers are usually ahead of the rest of us on understanding human experience. It behooves us all to listen to what they are saying. Don’t be that guy who misses the message for the messenger.

The PDF above also shows how workshopping is similar to product testing:

How to test: show don’t tell.  Put your prototype in the user’s hands – or your user within an experience.  And don’t explain everything (yet).  Let your tester interpret the prototype.  Watch how they  use (and misuse!) what you have given them, and how they handle and interact with it; then listen to what they say about it, and the questions they have.

I also follow Marketoonist. He has a good toon from 2013 on idea generation and submission issues for cartoonists. His commentary works as tips for writers as well: https://marketoonist.com/2013/01/brainstorming-ideas.html

  

Walt Whitman & His Online Harvard Course

WhitmanWhitman, The Musical!

Check out the one-man musical on Walt Whitman! (OC Register)

Whitman, The Online Class!

I've almost finished the free Harvard EdX online Walt Whitman class found at: https://www.edx.org/course/poetry-america-whitman-harvardx-ampox-3

It's part of their archived Poetry in America series which includes poetry of Early New England and Nature and Nation (all Northeastern obsessed poetries; hopefully more to come that’s less regional).

The course is set out over four weeks. The reading load gets harder as you go. The online experience focuses on learning to annotate poems and the site has a special program for that. Either it doesn’t work in my iPad or it’s turned off in the archived experience. I'm using my Collected Works book anyway. There is not much over reading (essays, other similar poets) but there is plenty of interesting video hours you can spend on poem group commentary, readings and a tour of New York which shows mostly a woman pointing at buildings.

I am finding that the class is helping me with aspects of the novel I'm working on. I have to say, like other women over 40 (who make up a large part of the Harvard class cast), I'm enjoying Whitman much more now.

In fact, these two quotes from "Song of Myself seemed appropriate to point out, this one due to living in the Internet-age:

“I speak the pass-word primeval.”

And this one in regards to discussions here around mindfulness, sympathy and empathy:

“And whoever walks a furlong without sympathy walks to his own funeral drest in his shroud.” 

Over the last few weeks, I've mentioned online classes and Mp3 lectures from The Great Courses company. I wanted to mention I’ve also used Udemy. And here's an important tip I left out earlier: don’t freak out when you sign up and see courses prices at $150. Just wait for the email sale–it comes every day or so–and inevitably courses come down to anywhere from $19 to $40! It’s some kind of masochistic sticker-shock marketing they seem to be doing.

Also check out Slideshare on LinkedIn as another resource for poetry learners and teachers that's free!

  

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