Reinventing the Life of a Poet in the Modern World

Category: Today’s Pillar of Poetry (Page 2 of 7)

Poems Hidden in Other Things

Me-emOften in the world you come across poems that aren’t really poems, like comic strips or panels. My Dad argues that these are not really literature but I think they are, otherwise The New Yorker wouldn't publish their brand of pithy visual comics.

Liana Finck's visual poems can be found in the magazine. And I recently saw in a copy of Bon Appetit (which a friend has gifted us), where she did a very interesting alternative take on the food pyramid.

She's also on Instagram and has done a graphic memoir. Yes please. 

Henry David Thoreau, Nature and Poetics and a New Podcast

ThoreauHenry David Thoreau

I have written about science and poetry on this blog before, all the way back from when I published my first book of poetry, Why Photographers Commit Suicide, a book part science poetry and part science-fiction. I'm always interested in breaking down the divide between literature and science. In that spirit, The Atlantic magazine published a great article tying Henry David Thoreau to this, "What Thoreau Saw" by Andrea Wulf.

Here are some pertinent quotes:

"Thoreau was staking out a new purpose: to create a continuous, meticulous, documentary record of his forays. Especially pertinent two centuries after his birth, in an era haunted by inaction on climate change, he worried over a problem that felt personal but was also spiritual and political: how to be a rigorous scientist and a poet, imaginatively connected to the vast web of natural life. Thoreau’s real masterpiece is not Walden but the 2-million-word journal that he kept until six months before he died. Its continuing relevance lies in the vivid spectacle of a man wrestling with tensions that still confound us. The journal illustrates his almost daily balancing act between recording scrupulous observations of nature and expressing sheer joy at the beauty of it all. Romantic predecessors like Samuel Taylor Coleridge and, centuries before that, polymaths like Leonardo da Vinci thrived on the interplay between subjective and objective exploration of the world. For Leonardo, engineering and math infused painting and sculpture; Coleridge said that he attended chemistry lectures to enlarge his 'stock of metaphors.'"

"For Thoreau, along with his fellow Transcendentalists, the by-now familiar dichotomy between the arts and the sciences had begun to hold sway. (The word scientist was coined in 1834, as the sciences were becoming professionalized and specialized.)"

… "Crucial though the data and reports are, they eclipse precisely the sort of immediate, intuitive, sensual experiences of nature that are, in our Anthropocene era, all too rare. For Thoreau, a sense of wonder—of awe toward, but also oneness with, nature—was essential. We will, he understood, protect only what we love."

… "Attention to the pivotal moment when he began to use his journal as he never had before. On November 8, 1850, a year or so after his naturalist’s regimen had begun"… 

…“And this is what truly staggers the mind,” Walls goes on. “From this point, Thoreau did not stop doing this, ever—not until, dying and almost too weak to hold a pen, he crafted one final entry."

."Steeped in the sciences, Thoreau emphasized that orderly data needn’t be dead. Carl Linnaeus’s binomial system for classifying plants was “itself poetry,” and in the early 1850s Thoreau jotted in his journal, “Facts fall from the poetic observer as ripe seeds.”

"Still, Thoreau felt the limits of disciplined scrutiny. 'With all your science can you tell how it is, and whence it is, that light comes into the soul?'"

"The following summer he summed up the dilemma. 'Every poet has trembled on the verge of science."

Good stuff. 

Poetry Unbound

My friend Kalisha tipped me off to this new podcast, Poetry Unbound, which is beautifully produced and digestible in short ten-ish minute podcasts. The first one I listened to was this poem by Raymond Antrobus, "A Poem About When We’re Disbelieved" posted on March 16. This podcast not only asked listeners to complete some homework at the end but made me quite emotional. 

More good stuff. 

Electronic Lit & The Curious Case of Edgar Allan Poe

GrimlyI keep trying to think outside the book and this makes me appreciate books. But also things that aren’t books.

Recently I read two anthologies of Edgar Allan Poe stories that pushed the boundaries of prose on paper. One was an illustrated anthology I bought back when we lived in LA: Tales of Death and Dementia, Illustrated Edgar Allan Poe by Gris Grimly. Grimly also did a similar Mystery and Madness book with other Poe tales.

Edgar Allan Poe stories are perfect candidates for visual remediation in cartoons, comics and animated apps. Poe is famously Gothic and his stories can be dense slogs. These formats open up his stories with a bit with some visuals and sound. His plots are always so inventive but written so, well, gothically, that he’s stayed relevant in probably every medium but probably least of all books. Interestingly, all Poe products seem to use his face as part of their branding. He’s got such a Gothic mug.

The illustrated book included these stories:

The Tell-Tale Heart
The System of Doctor Tarr and Professor Fether
The Oblong Box
The Facts in the Case of M. Valdemar

As a side note, my brother and father had an argument on a recent visit about whether comics (illustrated novels, etc ) rise to the level of art. My Dad and I were on the side that they did. My brother, who did illustrate pretty well as a kid, believes they do not.

Articles on the topic:

I would also recommend for consideration, The Carter Family, Don’t Forget the Song by Frank M. Young and David Lasky which I feel rises to the level and comes with a CD. You could argue that folk music history tracks really well to an illustrated novel, especially to communicate landscape and scenes and for dialogue-heavy storytelling.

There are three apps of Poe stories from iClassics. I read them all on my iPad. This was an even better experience than the comic stories because animations and interactivity brought out the visual beauty of the stories with a full orchestra and rich color. Much of the animation is triggered by interactivity which gave the stories an exciting feeling of suspense you wouldn’t get from even page turning. In fact, the apps were kind of really scary. Stories were interspersed with poems.

iClassics also had a great feature where you could scan through the pages at any time to see how much more reading was ahead. You could flip through them and go backwards to find parts of the story behind you.

My only complaint with these beautifully created experiences is the overly fetishistic cartoon boobs on all the Gothic gals. Firstly, kids are reading these. Secondly, it indicated these apps were created by a bunch of immature boys considering none of the men in the stories got the same hyper-sexed treatment.

App 1:

The Mask of the Red Death
Annabel Lee
The Oval Portrait
The Tell-Tale Heart

App 2:

The Black Cat
The Raven
Hop-Frog

App 2:

The Facts in the Case of M. Valdemar
Alone
The Cask of Amontillado
Eldorado

Here are some screenshots to compare the drawings from the comic and the app.

The Tell Tale Heart Comic Book

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The Tell Tale Heart App

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The Facts in the Case of M. Valdemar Comic Book vs. App

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Here's a video sample from the app.

I also read iClassics’ The Legend of Sleepy Hollow which is very wordy for a short story but the app made it finally readable for me. For someone who loves The Headless Horseman story, especially the Scooby Doo episode which scared the beejesus out of me when I was a kid  and the TV movie where I developed a preteen crush on Paul Sand. However, I’ve never been able to get through the original short story.

One interesting thing was the reference of the word “cowboy” in The Legend of Sleepy Hollow. I was surprised by this considering the story was written so early, in 1820. Was this an app translation issue or was that word really in the story? Through Project Guttenberg site, I was able to do an online text search to see if indeed it was in the source. It was.

Unrelated to this project, I’ve been reading a great book about digital literature (more on that later). Anyway, the book talks about all the uses of Google’s Ngram viewer (a tool that uses Google Books to search word usage throughout time. So I searched for the word “cowboy” and found the big spike of usage in 1880 (as expected, post Civil War, during the western expansion and the great cattle drives). So where did Washington Irving pick it up in 1820?

With the ngram viewer I could see there were no usages in 1797 and then a few in 1798:

https://books.google.com/ngrams/graph?content=cowboy&year_start=1775&year_end=2000&corpus=15&smoothing=3&share=&direct_url=t1%3B%2Ccowboy%3B%2Cc0#t1%3B%2Ccowboy%3B%2Cc0

The first appearance was 1798 according to the Ngram viewer but cowboy history tells of a much-earlier reference. Jonathan Swift coined the word in 1725 while simply referring to the boy who tends cows. So Washington Irving was using a very boutique word for the time.

Over the weekend I also read Oscar Wilde’s The Cantefield Ghost, which I had never read. I also watched the 1940s movie which was silly and I really struggle watching Margaret O’Brien for some reason. The app was a much better experience of the original story.  I also love the sound of pages turning, which has the sound of really good parchment paper. This was my favorite iClassics app so far.

iClassics also have apps on other writers like Charles Dickins, Jack London, Lovecraft…the scary stuff mostly.

ChoicesI’m also reading Inkle’s choose-your-own-adventure version of Frankenstein retold by Dave Morris. This version takes place in France after the Revolution. So far this format hasn’t been very engaging. Although I do love the visual of having scraps of paper stitched into scrolls for each choice you make. This app requires much more reading and the choose your own adventure format isn’t as satisfying when you already kind of know the ending, such as with autobiographies (sorry Neil Patrick Harris) stories you already know even if they’ve been retweaked.  It’s also hard in the Inkle book to tell how long each section will take to read. Turns out, this is a major feature of the paper book. I’m sleepy and I want to know how much more of a section I’m in for.

 

Online poetry classes: It’s been a while since I posted about online classes. I keep checking all the platforms and over the last year there haven’t been many offerings.

Except I just found this William Wordsworth class offered by Lancaster University delivered through FutureLearn (there’s more international stuff on this platform). So I signed up. Starts in September.

Happy Halloween: Poetry Card Final Week 17 (US, UK)

Edgar"Once upon a midnight dreary, while
    I pondered, weak and weary,

Over many a quaint and curious
    volume of forgotten lore—

While I nodded, nearly napping,
    suddenly there came a tapping,

As of some one gently rapping,
    rapping at my chamber door.

20171030_110034The Raven” by Edgar Allan Poe

I did not plan this card to fall in the last set for a Halloween post. I swear. These cards were picked completely randomly. I even purchased a dollar store tombstone for my office this month that says "never more."

Poetry: it's just magic.

Edgar Allan Poe had a rough life. He was “orphaned and destitute” in childhood and taken in by the Allan family of Richmond VA. From them he received a good education but he had health problems and came across as dark and destructive. With his “macabre tales" he "pioneered the modern detective story.” He is widely known for “The Raven” but this composition was the beginning of an unstable end.

Andrew-marvell“Had we but world enough, and time,
This coyness, Lady, were no crime.
We would sit down and think which way
To walk and pass our long love’s day…”

The last card of 48, “To His Coy Mistress” by Andrew Marvell.

When you look up the poem, the second paragraph goes on to say…

"But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity."

And this reminds me of a category of pop songs I dub the "Go All The Way" songs (after the Raspberries) that have been produced ever since.

Marvell was apolitical and pastoral while he was tutor to a lord’s daughter. Later, he became a "vicious political satirist and defender of John Milton and Oliver Cromwell" and an influential member of [British] Parliament.

Final stats:

Not a lot of diversity here but this is an older deck. I have a feeling a 2017 deck would rob less from the canon and more from women and people of color. Measly lack of women, especially British women from what I'm still convinced is a British deck, but many American women (almost half). The majority of poems are from the last two centuries which is understandable considering most people claim to be allergic to moldy old poems.

1 black American female
3 black American males
8 white American females
10 white American males
21 American poets (4 Americans of color, 9 women)

1 white Andalusian male
1 white Austrian male
1 Chilean male

13 white English males
2 white English females
1 white Scottish male
1 white Welsh male
17 British poets (all white, 2 women)

2 white French males
1 white Greek male
1 white Irish male
1 white Italian male
1 Japanese male

1 500s BC poet
2 1300s poet
1 1500s poet
3 1600s poet
1 1700s poet
15 1800s poets
25 1900s poets

Poetry Card Week 16 (UK, US)

Chaucer“Whan that Aprille with his shoures sote
The droghte of Marche hath perced to the rote,
And bathed ever veyne in swich licour
Or which vertu engendred is the flour…”

Prologue to The Canterbury Tales by Geoffrey Chaucer

Boy, spell check hated that verse. Literally, these are the lines that began English literature. I took a class in this book in college. It was required. But I have to say, the class was not as torturous as you might imagine. This is a story about a holy pilgrimage from London to Canterbury by 29 people who each get to spin a yarn along the way. It was funny and bawdy as I remember. Our teacher, on the other hand, was a stern old humorless bore. My Shakespeare teacher was a character herself. She was a veritable Shakespeare groupie who made her own pilgrimages to Stratford-upon-Avon and enthusiastically showed us her grainy snapshots.

Edwardlear“There was an older person of Dover,
Who rushed through a field of blue Clover;
But some very large bees stung his nose and his knees,
So he very soon went back to Dover.”

Limericks” by Edward Lear

According to the card, Lear “made the world safe for the limerick.” These are just nonsensical party games that were written to the grand-kids of his patron. They even came with comic graphics.

Langston-huges“And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that’s dead.”

The Weary Blues” by Langston Hughes

According to the card, one of the “masterpieces of the Harlem Renaissance” in the 1920s.  Hughes spent his career perusing an authentic African American voice," one infused with the syncopation and stylings of black music; jazz, gospel, and blues." I've been collecting poems about dictators on my website and on Facebook. By far the biggest response I've received has been for excerpts of Hughes' poem "Let America Be America Again."

Current stats:

1 black American female
3 black American males
8 white American females
9 white American males
1 white Andalusian male
1 white Austrian male
1 Chilean male
12 white English males
2 white English females
2 white French males
1 white Greek male
1 white Irish male
1 white Italian male
1 Japanese male
1 white Scottish male
1 white Welsh male

1 500s BC poet
2 1300s poet
1 1500s poet
2 1600s poet
1 1700s poet
14 1800s poets
25 1900s poets

Poetry Card Week 15 (Japan, US, France, UK, Greece)

I took the summer off (my parents visited for five weeks) but I kept going through the poetry cards so we can finish the last few posts this year.

Basho"Not knowing
The name of the tree,
I stood in the flood
Of its sweet smell.”

Matsuo Basho from “The Narrow Road to the Deep North

Known to be the greatest of the Japanese haiku poets, Basho was influenced by Zen Buddhism and wanted miniature perfection in a poem. This required only seventeen syllables broken into sections of 5-7-5. In later years, he journeyed through Japan doing travel sketches tied together with his haiku. When translated, the poems lose their original syllable configuration.

Bukowski“A poem is a city filled with streets and sewers
filled with saints, heroes, beggars, madmen,
filled with banality and booze,
filled with rain and thunder and periods of
drought, a poem is a city at war…”

A Poem is a City” by Charles Bukowski

I love how these poems bump up against each other. Two travelers, two poems. The card talks about Bukowski's “pure, undiluted voice from the street, attached to no school, tradition, or ideology save that of day-to-day survival.”  The “unflinching honesty” of his poems dealt with bus terminals, boarding houses and racetracks. The movie Barfly was based on his writings. There's also a very cool database of his work.

Verlaine"Like a clamorous flock of birds in alarm
All my memories descend and take form,
Descend through the yellow foliage of my heart
That watches its trunk of alder twist apart,
To the violet foil of the water of remorse
Which nearby runs its melancholy course…"

Paul Verlaine’s “The Nightingale” (a video and alternate translation)

The card says his credo was “music before all things” and he spent a life of rages, romantic obsessions, alienation, and prison time for shooting Arthur Rimbaud (see the movie Total Eclipse or Big Bang Poetry's review) because he was full of “inner turmoil.”

Auden“He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The memory sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a cold dark day.”

In Memory of W. B. Yeats” by W. H. Auden

Auden emigrated to America, the card said. This was my first clue (aside from the stats below) that this is an English deck.  Auden's famous saying, “poetry makes nothing happen” was misunderstood and what Auden meant was "that poetry had no hand in the evil events taking place in Europe at the time—the rise of fascism in Spain, Italy and Germany and the impending war." He meant instead that poetry was “a way of happening, a mouth.” If you understand that, let me know. I'm still having trouble with it.

Yeats“Things fall apart; the center cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.”

The Second Coming” by W.B. Yeats

Ireland’s greatest literary figure, says the card. Yeats was a collector of folktales and legends, a senator and a self-styled oracle. This poem was his reaction to the Black and Tan War in Ireland where British troops came to quell an uprising.

Sappho“If I meet you suddenly, I can’t
speak—my tongue is broken;
a think flame runs under
my skin; seeing nothing,
hearing only my ears
drumming, I drip with sweat;
trembling shakes my body
and I turn paler than
dry grass…”

Fragment 2 of Sappho

Sappho was from the Greek island of Lesbos and was the aristocratic head of a poetry school. She was once as famous as Homer. She was allegedly bisexual and her love poems were “meant to be sung in the Mixolydian mode she invented.”  

Wallacestevens“Call the roller of big cigars
The muscular one, and bid him whip
In kitchen cups concupiscent curds.”

From “The Emperor of Ice Cream” by Wallace Stevens

This was a jarring paring against Sappho! Stevens was an American modernist and insurance executive. “Stevens chose to lead a life of quiet middle-class conform in order to make room for his real vocation, poetry.” His first book was published when he was 43. He wrote that this poem had “something of the essential gaudiness of poetry…obviously not about ice cream.”

 Week stats:

1 black American female
2 black American males
8 white American females
9 white American males
1 white Andalusian male
1 white Austrian male
1 Chilean male
10 white English males
2 white English female
2 white French males
1 white Greek male
1 white Irish male
1 white Italian male
1 Japanese male
1 white Scottish male
1 white Welsh male

1 500s BC poet
1 1300s poet
1 1500s poet
2 1600s poet
1 1700s poet
13 1800s poets
24 1900s poets

Poetry Card Week 14 (US)

Counteecullen“What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?”

Heritage” by Countee Cullen 

Cullen was a Harlem Renaissance poet (1920s) and the most traditional of the Harlem Renaissance poets. He was an admirer of Keats, Housman and St. Vincent Millay. He was conflicted about being a spokesperson for the black community but he was never ambivalent about his message.

Claudemckay“Although she feeds me bread of bitterness,
And sinks into my throat her tiger’s tooth,
Stealing my breath of life, I will confess
I love this cultured hell that tests my youth!”

Claude McKay’s “America” 

Two Harlem Renaissance poets together! Maybe I didn't shuffle these cards. We actually studied both of these poets in Harvard's EdX online Modernism course. Jamaica-born, McKay was involved in politics and felt anger at the oppresive systems of America, the subject of this sonnet. 

Sarateasdale2“The grass is walking in the ground.
Soon it will rise and blow in waves—
How can it have the heart to sway
Over the graves,
New graves?”

Spring in War-Time” by Sara Teasdale.

Teasdale is from St. Louis but I had never heard of her until many years after I moved away. “Known primarily for her forlorn poems of love, (ex: “My soul is a dark ploughed field in the cold rain”–yikes!), and “tempestuous epistolary affair" with Vachel Lindsay, a poet I’ve come across a few times in the roster of New Mexico poets in the 1930s and also as an early poet of the Chicago circle who contributed to early issues of Poetry magazine. Everyone seems to have had an opinion of Lindsay and you either loved or hated him. Teasdale apparently loved him if not his poetry. They both committed suicide. I did not know that. Now my interest is piqued and I will look into this dramatic story. This excerpt, according to the card, is one of her most famous poems, not about love but about World War I and was “widely distributed among the soldiers on the front lines.”

Elizabethbishop“This is the soldier home from the war.
These are the years and the walls and the door
that shut on a boy that pats the floor
to see if the world is round or flat.
This is the Jew in a newspaper hat
that dances carefully down the ward,
walking the plank of a coffin board…”

Visits to St. Elizabeths” by Elizabeth Bishop

I just saw the film Reaching for the Moon. This poem is about her visits to see Ezra Pound while he was in the hospital for psychiatric treatment. The poem was modeled after Ravel’s Bolero and “The House That Jack Built.” Not much biographical info is on the card which simply lists her places of residence. Interesting.

Week stats:

1 black American female
2 black American males
8 white American females
7 white American males
1 white Andalusian male
1 white Austrian male
1 Chilean male
9 white English males
2 white English female
1 white French male
1 white Italian male
1 white Scottish male
1 white Welsh male

1 1300s poet
1 1500s poet
1 1600s poet
1 1700s poet
12 1800s poets
20 1900s poets

Poetry Card Week 13 (UK, US)

KiplingContinuing in 2017 to work through the Poet’s Corner card deck series. Getting toward the final third of the deck. Continue to be surprised by serendipity!

“If you can keep your head when all about you
   Are losing your and blaming it on you;
If you can trust yourself when all men doubt you,
   But make allowance for their doubting too;
If you can wait and not be tired by waiting,
   Or, being lied about, don’t deal in lies,
Or, being hated, don’t give way to hating,
   And yet don’t look too good, nor talk too wise… ”

If” by Rudyard Kipling.

I've just been talking about this poem on two blogs…like this week! And here it came up as the next card I pulled from the deck. Anyway, the card says Kipling was an English poet born in Bombay. He was an idealist authoritarian, a romantic imperialist. His style was plain, without irony. George Orwell called “If” the “finest example of ‘good bad poetry.’” And I don't know what that means.

Whitman“Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.”

Walt Whitman's “O Captain! My Captain!"

Whitman’s famous poem about the assassination of President Lincoln in 1865 which was also eulogized in “When Lilacs Last in the Dooryard Bloom’d.” The poem is about a captain guiding the national ship through the Civil War. Whitman would often see Lincoln walking down the street in New York City, and later Whitman gave popular lectures on Abraham Lincoln and recited this poem after the end of each lecture. By that time he claimed to hate the poem. He sounds like Cher of late. You may think that's pure silliness, but a hundred bucks he would have been a fan.

ShakespeareShall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.

Sonnet 18 by William Shakespeare

Aside from Shakespeare’s Pizza in Columbia, Missouri…is there any other Shakespeare in the whole wide world? Although the sonnet form was the most popular poetry form in Europe in the 15th and 16th century (the Petrarchan variety) , Shakespeare’s sonnets were only privately shared and became famous only in the past century. I did not know that. Thank you poetry cards.

 Week stats:

1 black American female
6 white American females
7 white American males
1 white Andalusian male
1 white Austrian male
1 Chilean male
9 white English males
2 white English female
1 white French male
1 white Italian male
1 white Scottish male
1 white Welsh male

1 1300s poet
1 1500s poet
1 1600s poet
1 1700s poet
12 1800s poets
16 1900s poets

Poetry Card Week 12 (UK, US)

KeatsContinuing in 2017 to work through the Poet’s Corner card deck series.

“Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod.”

Ode to a Nightingale” by John Keats.

Along with P.B. Shelly, Keats was labelled “unabashedly lyrical and emotional” and were “easily parodied” for their “superhuman sensitivity” and were “celebrated by the young [and] reviled by the establishment critics.” Keats had a “fragile constitution” and was ridiculed for being “unmanly.” He died of consumption in Rome. Nothing on this card about his craft or reasons for his popularity. Harsh!

Cummings“Women and men (both dong and ding) summer autumn winter spring reaped their sowing and went their came sun moon stars rain”

From “anyone lived in a pretty how town” by e.e. cummings

Both similarly and alternatively described: Cummings was a “romantic iconoclast who vented his rage at the dehumanizing effects of modern civilization.” He “eschewed capitalization” and used “quirky typography, syntax and punctuation” that took on “ a coherent meaning all their own.”

Week stats:

1 black American female
6 white American females
6 white American males
1 white Andalusian male
1 white Austrian male
1 Chilean male
7 white English males
2 white English female
1 white French male
1 white Italian male
1 white Scottish male
1 white Welsh male

1 1300s poet
1 1600s poet
1 1700s poet
11 1800s poets
15 1900s poets

Big Bang #Poetry: Poetry Card Week 11 (UK, US)

Continuing in 2017 to work through the Poet’s Corner card deck series.

Ebb“She has laughed as softly as she sighed.
      She has counted six and over,
Of a purse well filled, and a heart well tried—
     Oh each a worthy lover!
They ‘give her time’; for her soul must slip
     Where the world has set the grooving:
She will lie to one with her fair red lip–
  But love seeks truer loving.”

A Woman’s Shortcomings” Elizabeth Barrett Browning

Elizabeth was popular before she met Robert Browning and Edgar Allen Poe dedicated a book of verse to her. He called her “the noblest of your sex” which she seemed to find stupid, responding “Sir, you are the most discerning of yours.” She suffered a spinal injury at 15 and waited through three years of letters before agreeing to meet Robert Browning. This poem is described on the card as sardonic and the poet as before her time.

Jeffers"Sports and gallantries, the stage,
  the arts, the antics of dancers,
The exuberant voices of music,
Have charm for children but lack
  nobility; it is bitter earnestness
That makes beauty; the mind
Knows, grown adult."

Boats in a Fog” by Robinson Jeffers

An American poet who “celebrated strength, self-reliance and other heroic virtues, ” Jeffers lived at Hawk Tower in Carmel, California. Ghost Adventures visited the location a few years ago. I blogged about the episode. The card calls him “completely out of step with his times.” His epic, biblical poetry is “not only difficult to anthology but can also test a reader’s endurance.” He was also full of “antimodern rhetoric" and this poem is about classical arts vs “the vulgarities of contemporary popular culture.” Not too surprisingly, Jeffers became a recluse at the end of his life.

Tennyson"Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are,
One equal temper of heroic hearts,
Make weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield."

"Ulysses" by Alfred, Lord Tennyson

The card quotes Edmund Gosse to say “ No living poet has ever held England…quite so long under his unbroken sway.” He experienced enormous fame and was Poet Laureate for 40 years, originally designated by Queen Victoria.

Week stats:

1 black American female
6 white American females
5 white American males
1 white Andalusian male
1 white Austrian male
1 Chilean male
6 white English males
2 white English female
1 white French male
1 white Italian male
1 white Scottish male
1 white Welsh male

1 1300s poet
1 1600s poet
1 1700s poet
10 1800s poets
14 1900s poets

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