Reinventing the Life of a Poet in the Modern World

Category: Lifestyles of Poets (Page 8 of 9)

Reading More Poetry to Things That Don’t Care…NYC Trip

My husband and I spent NYC in Thanksgiving. I tried to read poetry to things but I was pretty distracted by food, art and bright shinny objects. I did manage to snap a few shots while I was up in Yonkers, NY, visiting my old abodes (one nice basement apartment in a the cul de sac of an Italian community and one slum apartment near the Hudson river).

IMG_8034Mary McCray reading poetry to a courtyard waterfall in NYC. The waterfall says "I can't hear you!" So annoying.  (2012, photo by John McCray)

 

 

IMG_8455Mary McCray reading poetry to the ruins of Greystone Mansion in Yonkers, New York. The stone mansion would rather fall into decay then hear poems by Mary McCray.  (2012, photo by John McCray)

 
  

IMG_8451Mary McCray reading poetry to the ruins of the old Aqueduct in Yonkers, New York. The tower is protected from good verse by a fortress of gang graffiti.  (2012, photo by John McCray)

 

 

IMG_8453Mary McCray reading poetry to the Fall leaves on the old Aqueduct trail in Yonkers, New York. The leaves would not lay silently even for a haiku.  (2012, photo by John McCray)

 

 

See the full set of things that don't care about poetry

 

Official Poet of “10 Items or Less”

LehrI'm happy to say comedian John Lehr, star of Geico Caveman commercials, Jailbait and the WTBS show 10 Items or Less, has crowned me the "official poet of 10 Items or Less."

This is very much appreciated.

 

 

 

 

 

 This is a good time to
revisit the very funny Caveman videos of John Lehr:

Although this is not an official endorsement by the Geico caveman himself, my poetry
is so accessible, a caveman could read it.

Making Fun of Celebrity Poems

JewelIn graduate school it was one of our more sinister pastimes to mock celebrity poems. Part envy, part smug critique, it all started with folk singer Jewel when she published A Night without Armor in 1998. Here's a sample:

I Miss Your Touch

I miss your touch
all taciturn
like the slow migration of birds
nesting momentarily
upon my breast
then lifting
silver and quick–
sabotaging the landscape
with their absence

my skin silent without
their song
a thirsty pool of patient flesh

She gets the juicy word taciturn in there but then leaves it alone to defend itself against the word all. Amazingly, people are still making fun of Jewel poems these many years later…like this piece from Funny or Die: Was This Poem Written by Jewel or Charles Manson: http://www.funnyordie.com/articles/3e2e0d2765/was-this-poem-written-by-jewel-or-charles-manson?playlist=featured_pictures_and_words

BeauTo be honest, I never read her entire book. But that didn't stop me from buying Beau Sia's spoof in 1998,  A Night Without Armor II. It's well-maintained inanity. Some examples:

love poem

I want
you
now.

do not think
about this.

we are in love.

if we die
tonight,
we
might as well
be having
the greatest sex
of our lives.

with each other of course.

I don't suppose raindrops

only one girl I kissed
did not love the rain

they were all still crazy
though.

that's why
poems about the rain
work so well
on a woman's thighs.

we all aspire to learn
more
about clouds.

TouchmeAfter Sia's book, I sought out celebrity poetry. I waited a long time for the score of getting Suzanne  Somers' 1974 book Touch Me off eBay. The book has no table of contents or even page numbers and there are 23 poems broken across 4 or 5 sections.  Every other poem is also facing a black and white, soft-focus photo of Somers looking peaceful or contemplative. Poems are titled "Organic Girl" and "Houseplants" and "Last Night it Was Right." Some examples:

Lies

I have lied to you
    A thousand times
Reshaped the truth
     To keep you close
     And avoid hurting you.
But I always lied with words.

Last night I lied to you
    In silence
    With my hands, my mouth, my caress
The worst lie of all.
    And now I know something is over.
    Because before
I only lied with words.

No!

I don't give you time
    Because you're a cliche
    I meet a thousand times a day.
There's no need to talk.
    I know you're handsome
    And successful
    And extremely good in bed.
But really there's nothing to say,
Only a kind of game to play.
    Only a tedious cliche
    I meet a thousand times a day.
And I always forget your name.

 


StewartOuch!

The absolute worst was in Jimmy Stewart's book, Jimmy Stewart and His Poems from 1989. I found this at a garage sale and couldn't resist the self-satisfied stare of Stewart from the book cover. It's a mere four poems covering 31 pages, each poem prefaced with long passages explaining the context of each poem. Indulgent much? Some examples:

from The Aberdares!

The North Pole's rather chilly.
Those who've been there all will tell
There's lots of snow and lots of ice
And lots of wind as well.

An iceberg's really never warm
And takes a while to melt.
A snowball's not the hottest thing
That I have ever felt.

from I'm a Movie Camera

I'm a movie camera. Instamatic is my name.
I'm Eastman's latest model,
   Super 8's my claim to fame.
I was on a shelf in Westwood
   when an actor purchased me
And took me home to 918 in Hills the Beverly.

from Beau

He never came to me when I would call
Unless I had a tennis ball,
Or he felt like it,
But mostly he didn't come at all…

Discipline was not his bag
But when you were with him things sure didn't drag.
He'd dig up a rosebush just to spite me,
And when I'd grab him, he'd turn to bite me.

Bite me indeed.

I know what you're thinking and no: there is no indication on the cover or inside that these were written for children.

But I'm done goofing on bad poetry. I've decided it's a psychological sink hole. You feel superior for a little while but then you end up feeling inferior deep down where you don't want to admit it. Who am I to begrudge another person's poetic journey? Snob it up at your own risk, I say. You might be reincarnated as someone who dresses up in kabuki makeup and writes such things as "Lick it up."

Besides, there are amazing celebrity "poems" out there. Many poets were once transformed by Bob Dylan or now Lucinda Williams.  Joni Mitchell changed the way I write. "The Last Time I Saw Richard" is one of the few "poems" I've ever memorized. And Leonard Cohen…wow. What these writers can do is make up for a lot of dreck in the world, some of it most likely mine in all those petty previous lives.

Poet on Wire

MowSo sometimes it’s good to step outside of your art form, see what other impassioned artists are doing what keeps them going, and how they articulate their ideas of beauty.

Current TV last summer aired a list of 50 documentaries you should see before you die. My two Sarah Lawrence compatriots, Julie and Christopher, got me hooked on documentaries back in the 1990s. So I had seen a big chunk of the 50 on the list. But I made note of about 12 more I should see. Netflix just sent me Man on Wire, the documentary about frenchman Philippe Petit who walked a tightrope back and forth eight times between the top of the World Trade Center towers back in 1974.

The documentary was made in 2008 and lovingly describes the building of the World Trade Center towers without mentioning their demise on September 11, 2001. This gives the subject understated melancholy.

Petit was obsessed with walking across the highest landmarks without a net. A tightrope walker with great technical skill, physical strength and beauty, sometimes you forget you’re looking at a man on a wire and believe he's walking out into the open thin air…like something in a Dali or Magritte picture. Petit’s ballet performances also detracts from the fact that he has huge cajones to perform these walks illegally and without a net, risking his life every time.

Pulling off the tightrope performance in 1974 was tantamount to a bank heist. Planners and schemers were involved from France, America and Australia (one working inside the towers) and the movie recreates all the strategy sessions required to figure out crucial details like how to get a wire from the top of one tower to the other.

One thing that frustrated me about the recent documentary on Rumi was how blow-hardy the experts were when pontificating about Rumi’s motivations and inspirations. Petit is a marvelous contrast to this. His is articulate and deliberate, shows pure enthusiasm without being obtuse and excluding; and although you can see he’s pretty full of himself, he still connects with you (artist to artist) as he declares who he is and why he must walk the rope.

As soon as he was arrested after his 1974 tower walk. New York City reporters descended on him, wanting to know why, why, why he did it?

So American, Petit said. There is no why. He did it because it was beautiful.

Reading More Poetry to Things That Don’t Care…on the Santa Fe Trail

I've been away for the last week, visiting my in-laws in Kansas. My husband and I decided to drive from Santa Fe to where his sister lives in Independence, Missouri, along the Santa Fe Trail. This little trek provided many occasions for us to stop and smell the indifference to poetry. I was able to add six pictures to Reading Poetry to Animals and Things Who Don't Care.

IMG_7305Reading poetry to the Santa Fe Trail outside of Clayton, New Mexico. Wagon train traffic, art thou so loud this trail cannot hear me?  (2012, photo by John McCray)

 

 

IMG_7415Reading poetry to the beautiful Kansas grass outside of Fort Larned on the Santa Fe Trail. When the wind blew, the grass whispered "husssssh…silly poetess."  (2012, photo by John McCray)

 

 

IMG_7418Reading poetry to fake soldiers outside of Fort Larned, Kansas. I tried to tell them I had the latest Walt Whitman fresh off the presses. They did not seem to care.  (2012, photo by John McCray)

 

 

IMG_7508Reading poetry to a sod house in Kansas. Although my poetry was as dense as a mud brick, this house of earth could not relate. (2012, photo by John McCray)

 

 

IMG_7511Still reading poetry to a sod house in Kansas. Come on, sod house! You have to admit that line from W.H. Auden was pretty funny.  (2012, photo by John McCray)

 

 

IMG_7369Reading poetry to one of the whirling fellows on a windmill farm. Although the blades say "I'm excited about the truths you're laying down," this reader does not believe that windmill will make any serious literary changes in his life going forward.  (2012, photo by John McCray)

 

 

To see the full set of things that don't care about poetry

Locating Your Strengths as a Poet

StrengthsfinderLast week got out of hand with my new schedule at IAIA. I wanted to talk about so many things connected with that, some new poems I've come across, some thoughts about the amazing places life sends you when you open up your ideas for the future. Hopefully in the coming weeks…

In the meantime, we haven't spent much time talking about life tips for poets.

I'm a firm believer that any attempt to improve your writing will fail if you don't attempt to improve one or more of the following:

a) your thinking (because if your thinking sucks, your writing will suck),

b) your thinking as it relates to the spiritual (say, for instance, you feel emotionally or intellectually stuck in some way), or

c) your understanding of the way you think.

And one of the best tools to zero-in on item c is with the book Strengths Finder 2.0 by Tom Rath. The results for the Strengths Finder tests actually go back to years of Gallup polling and the idea is once you identify your strengths, you can put more of your energy behind those strengths instead of trying to fix your weaknesses. It's about energy management.

And when the book talks about "strengths," this don't mean something like "I'm a strong writer" or "I have leadership skills." The kind of strengths categorized in this book deal with the way your brain organizes information and the way you understand the world. Learning my strengths was illuminating for me because it showed me why I gravitate to poetry, it showed me that I am strong in "Connection," meaning I like to take disparate things and connect them together…naturally I do this. This means, however, I'm not so strong in seeing differences. My brain looks for similarities. I may be strong in putting together metaphors but I need extra help with characterization. I also scored a strength in "Input" which explains why I feel the need to read 41 books on a topic before I feel like I get it, why it's hard for me to stop researching and start writing.

This kind of self-awareness helps me understand even my weaknesses better. 

The drag about Strengths Finders is that you have to buy the book to get the unique code to take the test (which takes about 30 minutes). You cannot borrow a book and re-use a test code: total waste of paper and eBook purchasing on the one hand; brilliant strategy for book sales on the other.

 

Reading Poetry to Conchas Lake

IMG_7186We recently went camping to Lake Conchas Dam in eastern New Mexico.This is an area I've wanted to visit because it's near the Goodnight Loving Trail (although the dam wasn't there then) and also because it's near an area called David Hill under the town Mosquero New Mexico. The lake was also mentioned in this month's New Mexico Magazine as having the most shoreline-per-camper of all the lakes in New Mexico…which, in this empty state, is really sayin' something.

IMG_7183So I was able to add two new photos to Reading Poetry to Animals and Things that Don't Care: I was snubbed by both lake twigs and my own shadow.

It's rough out there.

 

Top 10 Things to Do When Participating in an Open Poetry Reading

Gollum-bookGollum at a poetry reading, left.

I know poetry readings seem very communal and the audience very much an understanding environment that will embrace your shabby or shabby-chic poetry-reading performance; you want to be casual, play it off the cuff and be organic, go to the drum circle and improvise.

But here's the thing: the audience has already seen so much of that, it's become a cliche. They now want to pull their hair out.

Poetry is a performance at the end of the day and many poets are bad at performance because a. they're not comfortable in their own body (that's why they spend so much time in their heads) or b. they're too comfortable in their own body (virtual exhibitionists taking hostages).

I created a check-list for poets in preparation for an open mic reading…and left out the obvious discourtesies, like don't read fiction at a poetry reading or hijack the mic by reading for ten minutes. If you want readers to form a positive opinion of the poet and the poetry, keep two things in mind: be generous and be courteous.

  1. Dress for Success: that means don't dress like a homeless person, even if you are unfortunately homeless. Borrow something unobtrusive-looking. On the other hand, don't try to look like a Vogue spread. If people are distracted contemplating your wardrobe (good or bad), they can't focus on the words coming out of your mouth.
  2. Don't forget to pack: bring your reading glasses (if you need them) and your poems.
  3. Rehearse: you don't need to memorize your poem, but practice reading with a friend ahead of time. You'll come across like a smooth cat if you do this, fully in command of your beautiful words.
  4. Listen to other readers…with your full attention: it's a karmic rule, you get what you give. So start giving. Listen to all the other readers. If you don't, they have no reason or obligation to listen to you. And if you think you can listen while multi-tasking, maybe you can–but it still looks like you're not listening and that makes everyone around you feel uncomfortable. This is bad energy to bring to a reading. Besides, if you're too busy to single-task-listen at a poetry reading, you're too busy to read at one.
  5. Open your voice to your audience: don't condescend to them by reading your poems in a precious style, full of pregnant pauses. Don't deliver the last line as if it's the greatest line ever written. Be friendly. It attracts readers to your poems and to you.
  6. Open your heart to your audience: like the great-sage-of-self-help Oprah says, be aware of the energy you bring into a room. If you come to the mic with aloofness or arrogance or bitterness, you will only attract that energy back to you.
  7. Pay attention to the room dynamic: practice taking the pulse of the audience by looking around at their faces before you read. Are they "up" and laughing? Are they bored, quiet and fidgety? If there are 10 or more poets scheduled for that reading, shorten your set by reading only one poem. Or by not reading a five-page poem. It's tempting to want to read more but after one poem, the audience has formed an impression of you. And they know they have a marathon of other readers behind you. They will start to shut down if you read too long. Just come back on another open-mic night and read again. Less is more in public relations. Repetition over time is good.
  8. Don't preamble-ramble: if you are the main event of a poetry reading, you can be like Gollum and ramble on; otherwise, less is more. The preamble actually upstages the poem. Sometimes poets who are insecure about their poem will try to buttress it up with a preamble for this very reason. Don't sell your poem short this way. Feel free to plug your book or blog or say a line or two. But no more.
  9. Pick a poem with an inclusive theme: ask friends to locate one of your poems they respond to the best. Don't be self-absorbed. Readings are events for communicating universal ideas, experiences and feelings. My husband has a theater background and has been to hundreds of open music, stand-up and one-man show performances. He says the ones that fail always fail because the content is too self-reflective and not inclusive to the audience. 
  10. Don't forget to bow: thank the audience at the top of your reading or at the end, just like they have given you a gift. Because they have. And smile! 

The good thing about open readings, as opposed to poetry slams, is that they offer a safe place for poets to read their work without Night-at-the-Apollo-style heckling. Poets need to be in the moment as much at a reading, paying attention fully and poetically, as they are are when they are at home contemplating the intricacies of their poems.

Some very funny lists of cartoons spoofing poetry readings:

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