Reinventing the Life of a Poet in the Modern World

Category: Lifestyles of Poets (Page 6 of 9)

Writing in the Age of Narcissism

Cover-smallThe narcissism epidemic has spread around the world and has tainted the attitudes and impulses of writers and all artists. This situation affects our futures and our fortunes. In my new eBook, Writing in the Age of Narcissism, I talk about strategies of literary criticism as they enable narcissism, as well as possible solutions to counter-act destructive tactics in writing and reviewing.

I've just created a dedicated page for the eBook to showcase an ongoing list of quotes from other writers about the topics of writing strategies and narcissism.

 

Kindle $1.99  Buy
PDF, ePub, Sony $1.99  Buy

Or sign up for my quarterly newsletter and receive a free copy. Just provide a valid email when you sign up.

    

Advertising to Poets

PoetI've been working on turning my manifesto into a small eBook. I realized that writing a manifesto sounded ridiculous. But while working on my topic, a side result was learning about advertising techniques and how you can tell a lot about an audience by what gets advertised to them (and how things get advertised to them).

Over the past few years I've been alarmed by the number of MFA ads in my American Poetry Review, American Poets and Poetry London magazines. Granted, the classified ads provide a nice sample of variety, the main ads are mostly for MFAs. No silly little Bachelor of Arts for us.

Some publishers advertise and you see the random ad from an independent poet, but it appears that MFA are all poets care about.

Now I’m the sort of person these ads appeal to. I have and MFA and when I see these ads, I still want each one. Usually, my desire corresponds to the location of the school. But even outback locations sometimes appeal. 

Then I remember I have one, and aside from the friends I made there, it’s not doing me much good.  I have loads of debt and some school pride whenever people ohh and ahh over my Sarah Lawrence degree. The value is in the social cachet and the occasional swanky alumni events I used to attend in Los Angeles. I hate to say these things because there are some very fine teachers who are MFA professors.  

The useless and attractive MFA program isn’t the issue here. It’s the fact that this is all there is on the advertising pages of poetry journals. It's like we’re a one-eyed monster craving only MFA degrees. Do we not read novels or go on vacations? Do we not eat tofu? Try to sell me something else, please! A meditation bell. Here are some ideas:

Top 10 Things You Can Sell To Poets That They Might Possibly Buy:

  1. Free-trade coffee and memberships to NPR
  2. A set of gardening  tools
  3. Manifesto-writing software
  4. The dating service Bards Mingle
  5. Competing rhyming dictionaries
  6. Down to Earth: the berets and turtlenecks store
    (we also sell jackets with patches on the elbows)
  7. Low income home loans
  8. Lexapro, Zoloft or Wellbutin
  9. Rosetta Stone French 
  10. A round-trip vacation to Père Lachaise cemetery

About the only thing a poet won't buy are clichés. That is…except their own.

  

    

News! The Revolution, Creativity, Entomologist Poets, Stephen King, John Ashberry, and Festivals

It's amazing what you find when you search the Internet for poetry news, how many mainstream publications are indeed writing about poetry and the latest dramatic data on eBook and Indie publishing.

  • John Ashberry agrees to a collection of eBooks (New York Times) Ashberry
     
  • Twenty Emerging UK/Ireland Poets (The Guardian)
     
  • Story about the Australian Poet Geoffrey Lehmann  (Yahoo! Australia)
     
  • The American Entomologist Poet’s Guide to the Order of Insects (Entomology Today)
  • Stephen King talks about his Father’s poetry (The Daily Beast)
     
  • Wallace Steven’s Heartford Home Purchased for Residence–with Pics! (The Courant)
     
  • The homeless poet of Brentwood, California dies (West Side Today)
  • The Poetry longlist for the National Book Award (Washington Post)
      
  • Wisconsin Poetry Festival Oct 10-11
        
  • Where have all the poets gone? (NPR): you might worry this article is another clueless piece about the lack of good poets today, especially when it wonders where are all the protest poets these days. It actually does provide a list of the current protest poets and declares they should be on the front lines of culture instead of ghettoized as a subculture: "Did they stop speaking, or have we stopped listening?"
      
  • A Woman’s Epilepsy Medication Turned Her Into a Compulsive Poet (New York Magazine)
      
  •  The 7K Report (AuthorEarnings.com): This is an amazing report from February 2014 which talks about the lack of data on eBook sales and indie publishing, why that data is missing and how one crafty author found a way to download the information from Amazon on author and publishing earnings, broken down by percentages. Although this particular study deals in more popular genres, there are important lessons here for poets. It's shocking not only to see how well indie books rank on Amazon sales lists but how poorly small presses are doing (from just about every angle). The study also tracks the success of a title based on the set price of a book and makes a good argument for more reasonably priced eBooks. The report surmises why the Big 5 publishers overprice their eBooks and how this hurts overall sales. Again, this has implications for poets and their eBooks.
  • 10 Reasons Self Published Authors Will Capture 50 Percent of the Ebook Market by 2020 (The Huffington Post): The creator of Smashwords makes some Indie predictions as well in September 2014.
     
  • The July/August 2014 issue of The Atlantic has an interesting article on the secrets of the creative brain by Nancy C. Andreasen, a psychiatrist, neuroscientist, and student of literature. She quotes Shakespeare and John Dryden to illustrate her ideas. She explains the difference between convergent and divergent thinking. The study of creativity tests someone's ability to come up with many divergent responses to probes as opposed to one correct answer, which IQ tests measure. The study also measures the differences between high IQ scores and high creative scores and whether creativity is inherited or nurtured. Creativity tends to run in families and creative thinking might just be a skill one is born with. When studying brain scans, Andreasen found different brain centers lighting up for creative and less-creative people. This may just be the essential part of creative work many teachers declare "can't be taught." 
     
  • More on the Poet’s Forum 2014 conference: Will include a series of short films on New Yorker’s love of their favorite poems, a project connected to Robert Pinsky’s Favorite Poem project. There will also be panels on publishing, promotion, endangered languages, revision, translation, prose, ekphrastic poetry, and a lecture by Richard Blandco.
     
  • Edward Hirsch's new book of poems, Gabriel, received a rare review in Entertainment Weekly. Unfortunately the eBook is overpriced at this time with $11.84.

  

 

Walking with Poetry

PoetsThe Georgia O’Keeffee Museum hosted a educational program in June called "Walks in the American West: The White Place and Echo Canyon" and it was a trip led by poet Lauren Camp. 

There we are at left, walking through an area Georgia O'Keeffe painted and once called The White Place for it's rock formations made of limestone.

While I was getting ready for the trip, I went through my closet looking for a notebook to take. I have a feeling all poets have a box of those fancy, unused notebooks our friends give us as gifts because we're poets and they imagine us writing in fancy notebooks instead of on the backs of cards and scraps of paper.

I had one such friend named Michele who gave me a fancy hard-cover notebook as a goodbye gift in 2002 when I was fired from my job where we worked in Lancaster, Pennsylvania. It was a dramatic firing and she had been my confidant through the hard-times I suffered there. She was that kind of a friend to many of us. Looking for any notebooks to take on the trip, I unknowingly and randomly picked up hers. I liked the size of the lines on the paper.  

When I arrived in Santa Fe to start our journey up the Chama river valley, I discovered Michele's lovely message to me inside, written 12 years ago, encouraging my creative endeavors and ending with, “I will miss our heartfelt talks and good laughs.” She had told me once you have three kinds of friends: friends for life, friends for the ephemeral moment, and friends who are there to help you through crucial times. She was the later. And she was speaking to me from the grave because she had passed away from brain cancer two years ago.

This sobering accident affected my thoughts all through my trip. Lauren Camp had us try out the Japanese form of poetry called the haibun, a combination of prose and haiku. We read "Lepidopterists" by Diana Webb and a haibun by Basho.

I walked out alone among the white place river bank and wrote a haibun for Michele:

WhiteWhere I was sitting with my book-bag.

 

 

 

 

 

 

 

Letter to Michele

Chica Micha, you are here in the White Place. Today, your own ink is here. Your fingertips have reached the White Place. Your small printed letters, your porous hardship, your palm is in the White Place touching hardened sand. Your soles are sinking in the river bed. Your breath is trailing me here, telling me, “Some friends stay forever; some friends come and go; and some friends are there only when you most need them.”

The vulnerable brain’s
Oceanic erosions—
Your majestic early precipice

 Chica Micha, you are floating above the white space. Today, slowly sliding over me in a mass of shape-shifting. You are buzzing today, urgent. And then your quiet is here. You are monumental. Your wrinkles in the stone, your shards of stone, your cup of sand in the linestone. Your towering portrait of ornamental caprock. This of you is here.

The lawn of the river bed
A slow race of tumblers
Hard souls swimming to the next

Chica Micha, your ocean is here. Many shadows of the wave and white caps holding their foam-rock faces to the sun. The party is here, standing in a half-moon circle, grass in our toes, hard smooth backs. Weathered, we are here. Enveloped in your seldom shadows. You are in the White Place. You have traveled to the White Place. Your print is now here in the Place.

Our red hot faces
Finding the small cactus—finally
Foot after rock foot

 

EchoLater we traveled to Echo Canyon where we ate lunch and worked on epistrophs, forms where the  end of each line repeats. I wrote an epistroph about breathing. I think subliminally I was thinking about both Michele and the trip I made to Echo Canyon years earlier with my mother. She had a hard time walking up the path and she was out-of-breath with COPD. I thought she could probably make the trip today after she recently lost 30 pounds.

 

 

Ten Lines of Breathing

Finding the path to the bowl and I breathe.
Tangling over my roots and I breathe.
The rock that warms me and I breathe.
Stumbling and I breathe.
Knotting and I breathe.
Bathing in the amphitheater empty and I breathe.
Smelling the fly-sweat and I breathe.
The sound draining with the light and I breathe.
Tipping calls over the rail and I breathe.
Avalanche and I breathe.

 

We all received a Georgia O'Keeffe pen and tote bag and a generic composition notebook. You know I love me some tote!

Poet Lauren Camp was a great guide through these places and forms. You can find out more about her at http://www.laurencamp.com/. She also runs a blog and hosts workshops, such as Reading to an Audience, which I totally need and would take if I lived closer to Santa Fe.

View all my pictures from the trip.

 

  MichelleMichele Sawdey (1960-2012)

  

 

 

 

 

  

American Poet & Why the Scottish Poetry Library is So Great

PoissondavrilAmerican Poet

Enjoyed my latest issue of American Poet magazine, especially Danez Smith's new poems "mail" and "basic standards test." Really interested in his studies on the racial issues working in both gay sexuality and standardized testing. There's also a passionate and rational essay by Mark Wunderlich about the dangers of reading Sylvia Plath's poetry through her biography:

"What are we to make of criticism…by Terry Castle and others who examine and judge the poet for, among other things, having been sexually active as a younger woman? And why are we asked to consider what sort of mother she might have been….Do people really have opinions about the sort of father Ted Hughes might have been? I suspect they don't."

This reminds me that all poetry is ultimately political and people read into not only poetry but the lives of their poets with political ends.

I once had an argument with visiting Sarah Lawrence professor David Rivard about M.S. Merwin. He suggested I read him. I hated him. After taking the Modern & Contemporary Poetry MOOC and after reading the Merwin review by Edward Hirsh, I seem to be opening up on this guy. Oh, they innocence and passion of youth. What can I say? You find your books when you find your books. Not sooner. Not later.  There's also a manuscript study on Robert Lowell's poem "Epilogue" that I enjoyed.

And a review in the back of David Trinidad's new book Peyton Place: A Haiku Soap Opera made me go out and buy one of his older books, The Late Show because his poems on pop culture attracted me but I never watched Peyton Place so didn't feel this book would be a great place to start.

SplToday's Pillar of Poetry: The Scottish Poetry Library

The Annual Review from the Scottish Poetry Library reminded me why I freakin love this organization so much. And no, I don't love them so much because my name sounds so Scottish (McCray) or because my maiden name (Ladd) sounded so Scottish either. I'm sure I'm yoked up with quite a bit of Scottish but my family pride and mythology doesn't venture far back past the New World.

No, I love them because they are so good at it. Their annual review even has style. I even read the damn annual review! I love them because they love the anonymous book sculptures. I love them because they produced pocket-sized anthologies of poetry for medical graduates with poems chosen to "provide emotional support to new doctors." One thankful doctor said, "just the thing to help doctors maintain and develop their humanity in the face of protocols and tickboxes."

They also had a program to connect poets to historians called the Ghost of War sessions.

I love them because they truly and creatively reach out beyond the bubble of typical poetry communities.

 

Poetry Postcards

PaigeI recently started going through all my boxes of junk in order to prepare for a garage sale and pare down. I found in a box of stationary some postcards I had collected when I lived in New York and in Los Angeles.

One is a postcard similar to the image on the left, a card I bought at the gorgeous and amazing Mark Twain House in Concord, Connecticut. Growing up in St. Louis, I have my own prejudices and partialities toward Mark Twain, but this museum in Concord is hands down my favorite writer's house. The postcard depicts the Paige Compositor, the prototype of the typewriter that Twain sunk all his money into. Although Twain wasn't a poet outright, this machine is a piece of poetic history in its own way.

Ph2I also found a postcard for The Poet's House in New York City back when it was located on Spring Street. The postcard was meant to remind me to visit the place and I never did. I'm keeping the postcard to remind me to visit them at their new location on River Terrace the next time I visit NYC.  Be sure to stop by the next time you are a poetry tourist in the Big Apple.

  

I also found a postcard that was created in Los Angeles as a plea to then-Governor Gray Davis in an effort to express support for public arts funding and the naming of a new California poet laureate. The postcard was produced by Poets & Writers Magazine with the motto that "Arts are the Soul of California" and the picture side simply containing this quote:

"You will find poetry nowhere
unless you bring some of it
with you."

— Joseph Jourbert

I used to keep this postcard on my fridge. Now I feel a bit blasé about it. Sometimes you find poetry already there, unexpected, sometimes even unwanted.

 

New Poetry Stuff I Get in the Mail: American Poetry Review

AprI received a new issue of American Poetry Review in the mail while I was moving. I started reading it last week and am half-way through. 

I've had the magazine for a full year now it's time to decide whether or not to resubscribe. I subscribed as a benefit to joining the Poetry Society of America for a year at $45. PSA offered 20% off the subscription price of APR or a handful of other literary journals.

I think I'll continue another year. I like the essays and the variety of poetry styles in every issue, although I do see a recurring batch of authors appearing over and over, which is an odd thing to notice in only six issues.

I am rethinking rejoining PSA. Aside from the bookmarks they send me, most of the benefits involve events in New York City. A subscription to APR is only $25 a year. I might instead just subscribe to another journal on their list, like The Boston Review, which is quite affordable as well. Both of these subscriptions would be less in total than a yearly PSA membership. It's a good organization. I loved the subway posters they did when I lived in New York City area in the 1990s; but I'm not able to make good use of my membership being here in New Mexico.

JamesfrancoAnyway, in the current issue of APR, I enjoyed Lucie Brock-Broido's riffs on fame in the poems "Fame Rabies" and "Dove, Abiding." There's an interesting overview of Denise Levertov in honor of a new collected book coming out. I liked Robin Becker's "In Montefiore Cemetery," the end of "Wearing Mother's High School Ring" and the "Late June Owl" poem.  The essay "Judging Eichmann" is one of those essays in APR like that one about Americans and their obsessions with cars…you know it has something to do with conceptualizing ideas as a poet but they refrain from overtly giving you the connection. So for a moment the essay feels like a non sequitur.

I've just finished the Kazim Ali poems and interview (which goes into language poetry's ideas and how that served or didn't serve his coming out as a gay Muslim man). This interview was followed by two poems by actor James Franco about Hollywood and LA…which were very good and I resisted the urge to hate him because he's famous, randomly well-paid, and has written at least two good poems for a forthcoming book on Graywolf Press.

 

Post Writing Sequester Wrap-Up

PhotoJust got back from a great four days of workshopping with three of my writing friends. I did a post a few weeks ago about the benefits of a DIY writing gathering. We had two poets, a fiction writer and a non-fiction (primarily) writer. At left, we all wore orange one day to visit a St. Louis-style eatery in Phoenix. We had toasted ravioli, cracker-crust pizza and ooey-gooey butter cake.

A writer friend of mine posted a comment about conferences on Facebook saying the main benefit she found was the networking and deal-making. As for networking, you do meet new writing friends at big conferences sometimes (if you're both having an outgoing moment). Some you actually keep in touch with, although my CherCon friends have been more reliable over the years. As for deal-making at a conference, this never happened at my lowly level. I'm equating that kind of conference activity with one I would do for Web Content Specialists (my day job). The only differences being for those there are only a handful to choose from a year (not the massive amount available to poets), they aren't as expensive and you can often get your office to pay for it. You'd think the sheer number of writing conferences would bring the cost down, by supply and demand. But then there are so many writers, so few web content specialists.

In any case, having our own was informative. Our biggest problem was not having enough time to do all we wanted to do. Being friends, we spent a good deal of time catching up and chatting (in the pool, no less).

On the positive side, you're happier at a DIY with your friends (and a pool). On the negative side, you're too happy.

Also, half of our group didn't finish their readings ahead of time. So a majority of the time was spent reading for them. However, the workshopping was really high quality. Pre-select is good stuff in this case.

We selected some short stories from The Art of the Story  by Daniel Halpern. And although we all agreed we didn't much like the four stories we selected (or the layout of the book), the more we discussed the stories, the more I came to appreciate them and something unique in them relating to our projects. We also read The Art of Description by Mark Doty from the World into Word series on Graywolf Press. I'll talk about that more later (probably after my move). Two of us read the same book and make our own marginalia…it will be interesting to see where our "likes" intersected.

We all agreed we wanted to keep doing these things yearly. Notes for future events:

  1. Build in time for reading
  2. Build in time for chatting
  3. Focus less on writing time (too much chatting and reading to do)
  4. Keep in the workshop sessions

    

Moving, Manifestos & Writing Sequesters

ManifestoIt would seem if you are a poet, you should have written a manifesto. Or at least you should have made an attempt to label your "movement." I take this charge very seriously and have been working on my manifesto and "a description of my movement."

Unfortunately, I will have to wait a month or so to unveil it because my husband and I are in the middle of a move. This will take up the greater part of my time for the next 4-6 weeks but I'll try to post short things in the meantime. Neither my manifesto or "the description of my movement" are short things.

Next weekend I'm also attending a writing retreat of sorts with three of my writer friends (two from Los Angeles, one from Alaska). I'm calling it our writing sequester inspried after the political events of this year.

American Poetry Review and other poetry magazines are filled to the hilt with ads for MFAs and writing conferences. Even writing conferences in my own back yard are asking for over one-grand to attend and this without airfare. There are hard times. You have to wonder where one is expected to come up with one-grand if it's not a down payment on a car or for a trip overseas.

Speaking for myself, I love workshops and college classes. If I were suddenly to find myself the beneficiary of an arts patron or a gold vein in Colorado, I would spend it all taking obscure classes from now into my future dotage. But who can afford the 10% tuition hikes? Higher education has already increased 42% over the last 10 years. Where is all the money going? Certainly not to teachers. They need to supplement their incomes working writing conferences. Certainly not to adjunct teachers. They need to supplement their incomes with day jobs. According to my mother, the highest paid person in the commonwealth of Pennsylvania is the president of Penn State. I think we know where the money is going. Money floats; shit sinks. And the student is on the bottom.

Colleges seem prime to self-destruct one these days working under the corporate greed model. So adding to my degrees doesn't seem like a sound move right now. Neither do writing conferences, although you'd love to support your favorite poety professor who's working one.

My solution is to create the mini-conference I'd love to attend…at a fraction of the cost. Lucky for me I've already grossly overspent to get my MFA and have all my MFA friends. So they'll be joining me this week. We've set up an itinerary of writing time, writing exercises, workshop discussions over supper, craft chats (our assinged book is The Art of Description by Mark Doty) and even some scheduled movies about writers.  We've rented a house and each writer has his own room and we even a private pool and hot tub! Get that at a writer's conference if you can.

For all this I'm paying $275 for four nights, not including the gas it's gonna take to get me to Phoenix from Santa Fe.

I'm getting all this writerly socialising at a cost-savings of almost $725! Pinch me!

 

Reading Poetry to Spaceports

More heroic attempts to spread poetry into the world of things, animals and the innocents who don't care a farthing about it.

 


Spaceport2Lynn Petrelli Reading Poetry to the "Space Way" near Engle, New Mexico

Somewhere near Engle NM, the concrete "space way" patiently awaits the future return of those riding the first commercial space shuttle.  We wondered if it fully appreciated the import (or folly) of a sub-orbital out and back for $220K in which it would eventually participate.  Was Lynn Petrelli's reading of space-inspired poetry welcomed?  The whistling winds garbled any message it might have been trying to transmit.

(June 2013,  iPhone 5 photo by Mary Anne Perkowski)

 

 

 


Spaceport1Mary Anne Perkowski Reading Poetry to the Spaceport in Las Cruces, New Mexico

"Mission control" at the Spaceport is wide-eyed at this poetry reading.

(June 2013, iPhone photo by Lynn Petrelli)

 

 

 

 

 

 

See the full set of things that don't care about poetry

 

« Older posts Newer posts »

© 2024 Big Bang Poetry

Theme by Anders NorenUp ↑