Reinventing the Life of a Poet in the Modern World

Category: Lifestyles of Poets (Page 5 of 9)

Political Poetry

WritingPoetry is on the move! There have been lots of marches, op eds, memes and poems produced over the past four months. Here is a collection of some of what's I've come across or been sent.

Writing Change

First off, I read the book Writing to Change the World by Mary Pipher, a therapist who takes you through the delicate process of changing minds. I found her correlations to the therapist’s couch very helpful. She explains why shaming will never work, why certain types of humor will never work and why even facts don't always make much headway with people who have set ideas. She does offer other alternative techniques.

Poets on the March

The good news is poets are being including as cornerstones in many activist events going on around the country, if not the presidential inauguration.

These following two poets were featured at our local Albuquerque Women's March:

Our local faculty was featured on PBS Newshour with a political poem.

Los Angeles hosted a Writer’s Resist event. Some highlight readings:

Other refreshing resistance in verse and commentary:

To Reject Trump the Perverse, Poets Wage a Battle in Verse (New York Times) My favorite is by Susan McLean from Minnesota.

Trump seethes at what the writers say.
He’ll pull the plug on the N.E.A.
The joke’s on him. Art doesn’t pay.
We write our satires anyway.

Why It Matters That Donald Trump Has No Inaugural Poet (Slate)

If Trump Won't Give Us Inauguration Poetry, Let Us Read Whitman (WBUR)

Read poems from the 7 countries affected by Trump’s immigration ban (PBS Newshour)

Writers use poetry and prose in protest of Trump’s election (The Boston Globe)

Poetry in a Time of Protest (The New Yorker) “Poetry is not a luxury.” Audrey Lorde

Trump’s Inaugural Words Turned Into A Chilling Poem (The Huffington Post)

This Trump supporter's poem has also been making the rounds with snickerings.

Art in the Age of Apocalypse (Tin House)

Movies

NerudaI saw the Neruda movie that is out in independent movie theaters. The movie deals with the political persecution of Neruda and the period when he was in hiding in Chile. Here's a review,  When Poetry and Politics Mix (MSFS).

My favorite quote from this surreal and beautiful movie was the last line, "I was made of paper and now I am made of blood.”

Conspicuous Poetry Consumption: Poem Cards

Poet-cardsI was on vacation in Pennsylvania last month helping my parents clean out stuff. I found a bunch of books I loved as a kid and this stack of poetry-related cards, Poet’s Corner Knowledge Cards published by Pomegranate Publications. And you know I love conspicuous poetry products!

The Cards2front of the card is just mystery poetry text without attribution. This is the first one I pulled:

“It’s time. Old Captain, lift anchor, sink!
The land rots; we shall sail into the night;
if now the sky and sea are black as ink
our hearts, as you must know, are filled with light.

Only when we drink poison are we well—
we want, this fire so burns our brain tissues,
to drown in the abyss—heaven or hell,
who cares? Through the unknown,
                we’ll find the new.”

The back of card shows the source of the quote, which is “The Voyage” from 1957, translated by Robert Lowell, followed by the name of the poet, Charles Baudelaire with his birth and death year and a thickly justified paragraph called a Life Sketch, which compares the ever expanding Les Fleurs du Mal with Walt Whitman’s Leaves of Grass. But rather than poems of rejoice, Baudelaire's were poems of revulsion with life. The card also notes how Baudelaire is a great French literary figure who has served as a mentor to many modern poets.

So conceivably, you could learn about a new poet each day for 48 days. I'll go through the cards every few weeks here and we'll keep track of the demos.

Week one: White French Male, 1821-1867

Pomegranate Press has lots of cards for sale including some esoteric decks like Famous Animals and another called Canadian Literature and even a deck of One Letter Words (which could be useful for something I suppose): http://www.pomegranate.com/knowledgecards.html.

However, the poetry deck only seems to be available now on Amazon

 

How to Submit Poems to Journals

HopeHow exciting it is to be sending out poems! No matter how often you receive rejections, keep focusing on the fun of researching, organizing and sending poems out into the universe.

Here are some step-by-step guidelines for you.

 

Step 1: Take a look at your poems and classify them by:

  • Writing style: are they rhymed or rhymed, are they traditional meter (if so what kind of meter) or free verse, are they conventional in language and tone or are they experimental?
  • Content: what are your poems about, what's the subject matter?

Different poetry journals cater to a variety of these possibilities.

Step 2: Research poetry journals to find ones that match these poetry styles. There are two ways to go about this:

The best way is to visit the periodical section of your local libraries or bookstores (if you have any) and read some of their poetry journals. If you don't see any that match your work, don't worry about it. Your poems might fit a niche journal the library doesn't carry. But this will give you a good idea about current popular poetry journals, the top tier to aim for someday.

You can also search some very good databases online to find journals and what they publish:

    http://www.pw.org/literary_magazines
    https://duotrope.com/

The old school way was to buy a copy of Poet’s Market but you’ll have to do this every year or two to get current listings (things change fast out there in poetry land). I found this was not a feasible option for me long term. Plus, what to do with all the old issues? Your library might have an up-to-date copy.

Create a list of possible journals from this research.

Step 3: Create your cover letter. You can list previous publications here or note that this would be your first publication. Different journals aim for different kinds of writers. Some want established writers and some want to find the next new discovery.

Some guidance on cover letters.

Everyone has differing ideas on the details needed in a cover letter. Feel free to experiment but keep this in mind: journals have seen it all. Literally, they’ve already read thousands upon thousands of “creative” cover letters. Don’t pour all your creativity into this. It’s a functional document.

Step 5:  Submit

When you find journals to submit to, peruse their websites for submission information. Sometimes I search Google for "[journal name] + submissions" to get a link directly to the submission information page (because some journals hide the stinker pretty far into their site).

Pay special attention to how they want submissions submitted. They're all different. Determine what format they want the submission to be sent: printed and mailed, attached as a word or PDF or Word doc, or included in the body of an email. And note the maximum number of poems they will accept.

Many journals these days only take submissions through an online service called Submittable (http://www.submittable.com/) so go ahead and sign up for an account there. It's free and the site helps you keep track of every place you've submitted poems and what the result was so you don't have to create an XLS Spreadsheet or other document to keep all that straight, although maybe you should create a spreadsheet or notebook anyway for the few email and mailed submissions you might also send out.

More information on submissions:

6 Submission Shortcuts You Should Be Using (And 3 You Shouldn’t)

10 Rules for Submitting to Lit Mags

What Editors Want; A Must-Read for Writers Submitting to Literary Magazines

Empty Mirror’s Complete Guide

National Poetry Month 2016 Is In Swing

2016-poster2 National Poetry Month 2016 is off to a busy start. To the left see this year's Academy of American Poet's poster. I wasn't crazy about it so I didn't purchase one. But you can purchase all their yearly posters.

I'm participating in NaPoWriMo again this year on Hello Poetry but I'll be doing the daily prompts for the first time. My over-arching add-on is that all the poems should be about this year's election cycle. I'm calling it 30 Poems About the Same Thing. It's been challenging to be balanced and take a larger-than-partisan view.

Bustle Magazine just posted a good list of 9 ways to add more poetry into your life. The Academy of American poets also posted their 30 ways to celebrate list (including some good essay links).Great

Julie Wiskirchen also came across this great poetry website while attending BinderCon last month in Los Angeles http://poetryhasvalue.com/, a site which tracks markets that pay for poetry.

Don't forget that National Poetry Month has a capstone holiday on April 28 which is Great Poetry Reading Day. Some sites that detail the holiday:

To clarify, this is not Crappy Poetry Reading Day so make sure to find something Tony the Tiger would be proud to read.

10 Productive Poetry Workshop Practices

PoetsImagine all these fellows in a poetry workshop? What drama would ensue?

One thing lacking in most writing workshops is a few minutes taken at the beginning to discuss workshop etiquette and basic expectations. A few months ago, I polled my fellow Sarah Lawrence MFA workshop compatriots, (Ann, Murph and Joann), and my cousin Gretchen, a writing teacher in Alaska, for their advice on writing workshopping. 

More recently, Jane Friedman posted an interesting piece on the four dangers of writing groups. And although we did not discuss bad craft habits gained from and critiquing ineptitude found in writing workshops, we did talk a lot about basic etiquette:

 

  1. Come prepared. Read everyone's poems beforehand.  It’s impolite and self-absorbed to coast through other people’s work.
  2. Be fully present. Speak up but share the floor. There’s an art to knowing how often to participate. Practice it. Take a few deep breaths before each workshop. You're not only learning the art of writing, you're learning the art of conversation.
  3. Joann said to listen bravely to suggestions without interrupting to defend your choices. Come to the table with a thick skin or at least some skin. Critiquing implies your poem is imperfect to begin with. Let it go. No suggestions are cut in stone.
  4. Don’t rewrite it! Be mindful of the project you are not doing. Be open to genres you don’t love, read or are unfamiliar with. Don’t insist the work conform to what you would like it to be. Murph put it well, “Try to discern what the writer is going for. Say what you think succeeds in the attempt. Then, if you see a specific approach or tactic that might help the writer achieve her goal, define it and suggest it as an additional approach to try.”
  5. All the same rules you learned in Kindergarten still apply. Be nice to others. Share. Take turns. Don’t have temper tantrums. Follow the group rules. Being a ground-breaking artist doesn’t mean you should attempt to be a rule-breaking participant in a writing workshop. Groups require cooperation. Solo work does not.
  6. Focus on the writing. Don't get derailed by the issues presented within the writing or personal issues outside of the writing. Respect everyone’s time and intention attending a writing group.
  7. Feel free to ask that specific issues or questions be addressed, anything you know for sure you need help with or feedback on.
  8. Spend time with architecture.  Murph suggested creating outlines or arcs that can help define what is fuzzy or where something is missing.
  9. Listen to yourself. Murph says don’t ask questions that are criticisms in disguise.
  10. Don’t get addicted to writing workshops.

 Ann sent along this Buzzfeed satire of Jane Austen receiving feedback in an MFA program.

  

Poetry in Unlikely Places

ScI started taking the Emily Dickinson Harvard online course a few weeks ago. While flipping through my Dickinson anthology, Final Harvest (it wasn’t), I came across a poem I had marked in college as having been in the movie Sophie’s Choice. Remember the scene where Meryl Streep goes into the big, intimidating library looking for Dickinson’s poems and mispronounces her name and then faints?

At least that’s how I remember it from the time I rented the cassette from Movies To Go. Later, she quotes this poem:

 “Ample make this Bed–
Make this Bed with Awe–
In it wait til Judgment break
Excellent and Fair.

Be it Mattress straight–
Be its Pillow round–
Let no Sunrise’ yellow noise
Interrupt this Ground—"

(1891)

Monsieur Big Bang and I joined our local food co/op this year. How happy was I to find a poem in the September newsletter? Very! It was a piece by a well-known ABQ poet, Hakim Bellamy. The newsletter is doing a series of his poems in partnership with the Santa Fe Art Institute around food justice, food security, food deserts (like local reservations and barrios).  Find out more at: http://sfai.org/food-justice/  and http://sfai.org/residencies/food-justice-residents/.

Here are two excerpts:

“Back when medicine men
and medicine women
could not save someone’s life
without seeing how they live.”

and

“…there is no time for hunting and gathering
between Bob’s Burgers and bus tops."

You can read the full poem on page 4 of the newsletter’s online version: http://issuu.com/lamontanitacoop/docs/september_2015_cc

Television!

Sometimes it’s good to look at what your competition is doing. If you don’t think TV is really your competition, (you’re so over it), listen to what this literary-lover has to say about TV today in this article form The New York Times.

Some poets I know love to keep insisting TV is the eternal boob tube. And two minutes later they lament about poetry's low readership, never noticing how out of touch they come across. Television: has so much changed or have people finally figured it out? You’re not competing with BAD television, your competing with GOOD television!

   

This Poetry Blog’s Auto Generated Mission Statement

MsIn a recent marketing meeting we were asked to brainstorm for a departmental mission statement. It had to be short. Barely a sentence. We joked about corporate mission statement generators like these:

 

http://cmorse.org/missiongen/ 
http://www.laughing-buddha.net/toys/mission.

We were asked to warm up by creating our own personal mission statement. I don’t know if I was thinking about the mission of this blog or my smart-ass self when I came up with these:

  • Wandering backwards into goals (my ‘in retrospect’ mission statement)
  • Losing my mind (my Zen statement)
  • Helping stories happen

This last one feels like my mission here at Big Bang Poetry. The journey of writing is not only about the stories you tell but the story of the telling and your life in search of the telling. I want to help do all that.

My auto generated statements turned out to be:

"We professionally synthesize quality poetry in order to continue to enthusiastically foster bang-full blog deliverables while maintaining the highest standards."

And the ever purposeful:

"Our goal is to build infrastructures."

   

10 Ways To Be A Better Poetry Reader

EdourdManetDignified reading: Edouard Manet's The Reader

For many, it's a challenge to be habitually reading poetry. If you were a student of poetry in college (like me), you were often given a list of recommended poetry works by your esteemed professors. Why was it always so impossible to penetrate these lists?

Because another person's list is simply that: another person's journey, not yours. Their list is all about them. And you need to build your own list, a list that is all about you! That’s the journey of life and it's the same with poetry.

You need to find your own way. And I can tell you that once you do, reading poetry becomes something you look forward to, if not an all-consuming adventure.

Start by thinking about your own interests and obsessions. As you search for books to read, one title or article will lead to another and, before you know it, you’ll have a lengthy list of poetry to find and read. Find those titles that connect with you. Soon it will start feeling like a quest.

1. Explore by Style

Are you’re interested in perfecting your own poetic style or exploring the tricks other poets are using? Are you looking for new ideas of craft? You can search for books of poetry based on style. Look for classical formalists writing in rhyme, meter or particular forms like ghazals or sestinas. I went through a phase of trying to figure out why sonnets were so satisfying in length and I can’t pass up a crown of them.  Anthologies can help you find writers who are working in particular forms. You can also follow conceptual poets this way as well, poets working with types of automatic or computer-generated content, poets who have developed various experiments of chance and theory.

2. Topic Quest

Are you interested in psychological topics, historical topics, scientific topics? Are you interested in books about a particular place? Do you want to read food poems, murder poems, ghost poems, cowboy poems, Zen poems? I have gone through searches on all of these topics over the years. I even have a very eclectic taste for pop-culture poems that mention singer-actress Cher. Whatever your obsession may be, there are poems out there for you.

3. Meet the People

Soon you'll find your favorite poets and will want to read all their books. You might be swayed by the cult of celebrity and want to read books by poets who make the news or win awards. You can also develop your own quirky explorations. Recently, I’ve been buying the books of faculty poets at every college or university I visit. My sister-in law likes to buy t-shirts from colleges all over the country; I buy books of faculty poetry. I make an extra stop at the university bookstore in every town I visit. Essentially it’s about meeting people and hearing what they have to say. You can figure out a map-of-meeting that interests you.

4. Fancy a Publisher

Sometimes you find you like a certain publisher and the way they publish their books. You like their paper or binding style, their cover artwork, or the type of works they publish. Something about their style amuses your sensibilities or you appreciate their political, cultural or social mission. As a fan of a publisher, you can explore their catalog.

5. Support Your Friends

Sooner or later, we all have friends who publish. At least many of our teachers have already published. I try to buy all the books my friends publish and at least one book by all my teachers and published acquaintances. Yes, sometimes it's about your karmic bank account. But it’s also about listening to your friends and appreciating what they do. Knee-jerk support combats natural feelings of competitiveness, jealously and superiority.

6. Follow Your Sensibilities

Each generation has sensibilities: diner culture sensibilities of the 1950s, Beatles-era sensibilities of the 1960s, New Wave and GenX sensibilities of the 1980s. It’s not quite a style; it’s not quite a topic. It’s about experiences, living with old or new technologies, processing changes and modernity, and how your generation consumes and makes sense of it all. Because I’m a GenXer, I tend to seek out poets who write about pop culture, feminism and identity in an ironic, irreverent ways.

7. Poetry Readings

If you go to a poetry reading, which 99% of the time is a free experience, buy the poet’s book. I’d even say whether you like it or not. No one's getting rich here. If you support the cause, support the cause. You just might be surprised what treasures you bring home. And a book that doesn't speak to you now may speak to you in 10 years. I’m often dismayed to hear poets brag about supporting their local economies at the grocery store but they can’t seem to bring themselves to do it at the local book store.

8. Unlikely Places

Be on the lookout for poetry in unlikely places: garage sales, art shows, history museums, local city museums. I found a poet in a local city museum in Bandon, Oregon, during a family reunion. The woman who wrote the book was about the age of my mother and had experienced a remarkably similar childhood as my mother had on the coast of Oregon. Finding that book enabled me to understand my mother’s experience in a fresh way. (I also found a picture of my grandfather on the wall at that museum!)

9. Recommendations

As I mentioned earlier, recommendations are often problematic but, once in a while, a friend will let you in on a great, secret find. I’ve been sent boxes of books by friends and it sometimes takes me years to get to a book. I can't tell you how many times I've cried out, “Book! Where have you been all my life??” and fretted that I hadn't made my way to the book sooner. But that’s how life is: stuff comes to you when it comes to you. Also be on the lookout for recommendations in journals, online and from reviews in old newspapers.

10. Free Books!

Big tip time: don’t assume everything marked "Free" is worthless. Don’t be a hoarder but take a book or two from the free pile at events, garage sales and those boxes on the stoops of used book stores. Give it a shot and see what you find. It’s like supermarket surprise!

Soon you’ll find that one book truly does lead to another and another. You can look for ideas in bookstores, literary journals, poetry anthologies, poetry textbooks, publisher catalogs like Copper Canyon's seasonal catalog. I’ve found a few amazing Zen books there. You should also be open to finding poetry in museums, on TV shows, or from teachers in other disciplines. My mindfulness teacher used to start each week’s class with a poem!

Without opening yourself up to finding new poetry, you'll miss out on reading friendships, surprising epiphanies and the amazing journey of reading your books.

  

The Biology of Narcissism and Mindfulness and What It Means For Poets

Kristin-Neff1

Poetry writing is a field where everyone is on a mad mission to distinguish themselves from everybody else. The popular complaint among poets is that everybody writes but nobody reads. It’s true that reading someone else’s writing is a compassionate act and not too many writers are on a mission of compassion. They're on a mission of self-esteem. It's exhausting and Kristin Neff is a scientist who has given a Ted Talk on compassion versus self-esteem. She talks about how the self-esteem movement has contributed to the narcissism epidemic and how this contributes to bullying in various populations and the great American fear of being average.

You see the self-esteem drama everywhere: on TV advertising, interacting with drivers on the street, in awful news stories. I see it in MFA ads for poetry programs. In fact, there's a new game in town: tapping into a student's ego to lure them into the program. In Poets & Writers issue January/February 2015 there's an add full of published books with a blank space reading, “The Place for our Next Book is Here” (meaning you!) and in APR's last issue there is an ad stating “Before you write your success story, you have to find your voice.” It's all about your success story! Wow.

These are topics I cover in Writing in the Age of Narcissism. For years, advertising has been banking on our narcissistic tendencies, our self-obsession and our desire for fame and to consider ourselves above average. 

View the Ted Talk: The Space Between Self Esteem and Self Compassion: Kristin Neff at TEDx Centennial Park Women

More quotes on the topic:

And I'm not the only poet talking about this. Bianca Stone (daughter of Ruth Stone) says, “I’ve always been drawn to science, especially neuroscience. I feel that poets look at the world so differently because of something to do with the way their brains are wired." Bianca Stone, Poets & Writers, January/February 2015

In his essay "Casting Stones" on the Mary Kay Letourneau story called Charles D’Ambrosio talks about the “reflective rush to judge” and “threadbare or disingenuous language which failed to allow for the possibility that [the case] was both simpler and more complex than they were prepared to understand or admit…My felling was, first you sympathize, then you judge – that’s a complex human response. You sympathize first, and until that happens, you don’t understand anything.” Quoted in Poets & Writers, November/December 2014

Read more quotes about writing and narcissism here: http://www.marymccray.com/writing-in-the-age-of-narcissism.html#writers 

Inspired by this, I've decided to embrace my average-ness. I’m an average working writer. And that’s okay. In fact, that’s pretty respectable.

   

eBook Formatting and Frank O’Hara

EbookformattingI'm a big believer that you don't need to fork over money to an eBook designer to create an eBook version of your poems. That is, beyond what you will spend to design your physical book. There are many poets out there insisting poetry can't be designed for electronic book reading. But I've been reading books of poems on my Kindle for years now. And if they're priced right, I buy books of poems on my Kindle I normally wouldn't buy in print. This usually happens when I want to test out a new poet or when I want to read a book but not necessarily "collect" it on my bookshelf.

There are special formatting issues for poems on eBook. Some special indenting creates problems, but over the last few years these issues have been overcome by some lit-minded, html-savy people who are generous enough to share their tricks with us.

Your Poetry eBook, Quick and Easy Formatting for Kindle by D.L. Lang is a great start for newbies. It's cheap and quick and informative for any poet who wants to stay up-to-date on how their books are made. 

Looking to Read

Publishing by Gail Godwin was recently reviewed in Entertainment Weekly, whose review tells us the book “explores the writer’s shifting place in the publishing industry’s disheartening transformation—from a place where tweedy editors spent years nurturing gifted young writers to a marketing machine where authors must now come with ready-made personal brands.”

The Frank O’Hara Project

City poetI just finished my first big experiment in reading someone’s collected works at the same time I read the biography. This idea started when I finished Edna St. Vincent Millay’s biography and then started her selected poems having forgot all the anecdotal stories from the biography.

I decided to slowly go through Donald Allen’s collected tome of O’Hara while reading City Poet by Brad Gooch, or as Monsieur Big Bang like to call it, that big book by The Gooch.

I started at the end of 2013 and finished just before Christmas in 2014! It took a year of bedtime reading!

I loved the biography and how its stories and poets overlapped with my studies on local Santa Fe poets over the same time-period. For instance, one line of the biography declares how O’Hara despised Vachel Lindsay.

The collected poems were a bit of a slog, containing over 400 pages of small printed verse. Many of his experiments were interesting at first but tedious after many incarnations; but I felt by the end of it I had my own personal little selected list of gems.

In any case, his famous poems are famous for a reason.

  

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