Author: Big Bang Poetry (Page 25 of 64)

Continuing to work through the Poet’s Corner card deck series. I was excited to find two similar photographs for these first two poets. Small thrills.

My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!

“First Fig” by Edna St. Vincent Millay

This is her most famous poem and it captures the “willful irresponsibility of the time and place" which was "Bohemianism in New York during the 1920s.”

What care I if Skies are blue,
If God created Gnat and Gnu,
What care I if good God be
If he be not good to me?

“Egocentric” from Stevie Smith

She's writing about narcissism! It's the 21st Century topic! This English poet and novelist was known for her nonsense verse which attempted to work against the pompous or overly serious verse of sense, although providing some "serious underlying messages."

“Terence, this is stupid stuff:
You eat your victuals fast enough;
There can’t be much amiss, ‘tis clear,
To see the rate you drink your beer.
But oh, good Lord, the verse you make,
It gives a cap the belly-ache.”

A.E. Houseman from “Terence, This Is Stupid Stuff”     

This one is a good punctuation lesson. According to the card, Houseman experienced “enormous appeal” for his “idealized rustic vision” and his “insistence that poetry was more physical than intellectual.” He wrote primarily pastoral, rhymed and metered verse which “had a hypnotic quality that led itself to easy memorization.” The character of Terence was a regular and an alter ego in Housman poetry, a disguise for his love of his friend. He started writing after age 40, once the drama of his heartbreak and “emotional life” was over.

Week stats:

1 white American colonialist female
1 black American female
3 white American females
3 white American males
1 white Andalusian male
1 white Austrian male
1 Chilean male
4 white English males
1 white English female
1 white French male
1 white Italian male
1 white Scottish male
1 white Welsh male

1 1300s poet
1 1600s poet
1 1700s poet
6 1800s poets
11 1900s poets

Continuing in 2017 to work through the Poet’s Corner card deck.

Who, if I cried out, would hear me among the angels’
hierarchies? And even if one of them pressed me
suddenly against his heart: I would be consumed
in that overwhelming existence. For beauty is nothing
but the beginning of terror, which we still are just able to endure,
and we are so awed because it serenely disdains
to annihilate us. Every angel is terrifying.

“The First Elegy” from The Duino Elegies (1923), Rainer Maria Rilke, translated by Stephen Mitchell

The elegies are named for Duino Castle on the Adriatic Sea. The card didn’t have much else about Rilke. Sad face.

Yes, I went to the city,
And there I did bitterly cry,
Men out of touch with the earth,
And with never a glance at the sky.
Oh, can’t hold the han’ of my love!
Can’t hold her pure little han’!

From “I Went to the City” by Kenneth Patchen.

Patchen was a poet and a painter. His idol was William Blake. He created many painted poems which he called “anticalligraphy” which were sometimes accompanied by jazz musicians.

And through the tremble of a sigh
May tremble through the story.
For “happy summer days” gone by,
And vanish’d summer glory—
It shall not touch, with breath of bale,
The pleasance of our fairy-tale.

From Lewis Caroll’s “Through the Looking Glass” preamble.

Carroll "wrote children’s literature that adults liked," much of it was poetry and puzzles. He was fond of “clever young girls” in the vein of Alice in Wonderland.

Week eight stats:

1 white American colonialist female
1 black American female
2 white American females
3 white American males
1 white Andalusian male
1 white Austrian male
1 Chilean male
3 white English males
1 white French male
1 white Italian male
1 white Scottish male
1 white Welsh male

1 1300s poet
1 1600s poet
1 1700s poet
6 1800s poets
8 1900s poets

One should always honor one's teachers, preferably before they pass away. You don't always make it.

I was fortunate to begin my undergraduate and graduate poetry workshops with two very strong poetry teachers in St. Louis, Missouri. Howard Schwartz was a master at teaching mechanics. In class we often debated poems word by word, even down to the advantages of using 'and' or 'the.' Steve Shreiner taught about feeling and persuasiveness and encouraged us to read other poets. I also had a big crush on him, which I vowed never to let happen again. And Steve Schreiner introduced me to the poet Tom Lux at a local reading Lux was giving. I never would have ended up at Sarah Lawrence College had I not heard those Tom Lux poems back then. They were funny and I wanted a teacher who was funny. Although I had some good classes with Jean Valentine, David Rivard and Joan Larkin, Tom Lux was the professor who sent me to Sarah Lawrence.

Thomas Lux passed away last week from cancer and many of his students have been posting tributes and commentary about what an important mentor he was to them, what an inspiring teacher and friend. In the mid 1990s, Lux was my "don" (or dedicated advisor) at Sarah Lawrence and I took two of his classes, a craft class and a workshop class. Lux had a larger-than-life presence. He was charismatic. His voice boomed during readings. He seemed comfortable in his own skin. He was the celebrity of the writing program. My friend and I called him poetry’s Daryl Hall. We loved to hear him recite the Refrigerator poem and we'd imitate lines of it to each other the way Tom read it: "because you do not eat / that which rips your heart with joy!"

And herein lies the rub for me because I've always had a hard time with celebrities. They walk around with such an impenetrable veneer, it makes one feel smaller. Tom's office at Sarah Lawrence was set up that way, too. It was a beautiful office, especially by the looks of the dives my other professors inhabited (basements were common). It was large and multi-textured, intellectual and full of stuff like Lux had lived a pirate's life. I scanned the New York Times photograph to the top left from a photocopy just to illustrate the scene: Tom in a large chair, his imposing shoulders and head towering over you as you sat uncomfortably in the lower chair. To be uncomfortable is a choice to be sure. But there it was.

I had a big blow up with Lux in that office. The fight wasn't even over poetry. It was over standards of behavior. He called me petty and another word which I can’t remember and can't believe now that I can’t remember as it was so upsetting to me at the time and I've carried that phrase around, ("petty and something"), like a big memorial gravestone all these years since. My eyes opened wide and I stood up to leave his office dramatically. He stopped me and we dialed the whole thing back into civility. He walked me from his office to Slonim Hall.  After that I knew I would never be one of his favorites.

But he told me my poems were brilliant, (whether they were or not), and he took the time to tell my family at graduation that I was a good poet, (I don't think they believed him), and the first time I ever had greens was as a party for the students up in his NYC apartment. He was like my difficult relative or the antagonistic mentor, the best kind of mentor probably, something you must push up against until it's gone. Despite the fact that I don't have the same connection to Tom Lux that other students had, despite all the drama at Sarah Lawrence, I've always been proud to have been one of his many doe-eyed students.

The obits

Thomas Lux, esteemed Georgia Tech teacher and poet (The Atlanta0-Journal Constitution)

Campus, Atlanta communities mourn the loss of Thomas Lux, director of Poetry@TECH (Georgia Tech)

Rest in Peace, Thomas Lux (1946–2017) (Poetry Foundation)

Sarah Lawrence College Mourns the Loss of Longtime Writing Faculty Member Tom Lux (Sarah Lawrence College)

Thomas Lux, 70, poet known for his generosity as a writer, teacher (The Boston Globe)

Renowned poet Thomas Lux, an Easthampton native, dies at 70 (MASS Live)

Remembering Thomas Lux (Technique)

Remembering a One-of-a-Kind Poet (The Atlantic)

The Old New York Times piece from which the photo above came: If Poetry Is Puzzling Who is to Blame?