Reinventing the Life of a Poet in the Modern World

Author: Big Bang Poetry (Page 16 of 64)

52 Haiku, Week 31

20190927_124753This week was pretty mellow. Taking a class. Getting reading done. Did some weeding. Just came back from lunch with old work friends. Nothing spectacular and yet spectacular things all around.

 

 

 

The Prompt: Being Judgey

This week's prompt:

"Wise men don't judge–they seek to understand."
        – Wei Wu Wei

First task is to sit for a meditation on that for 5-10 minutes or however long you feel is good to you.

The Drawing

20190927_102751

My Haiku

…inspired by my drawing (which I have to admit I copied from another design online):

The song of the depths
are echoing the shallows
Of bullfrogs and birds

The Reflection

Another challenging prompt. You have to judge something: like murderers and the Holocaust. But do we need singing, cooking and camping competitions?

My drawing this week was a cryptic homage to The Voice which is far less judgey than some things out there. But it's whole existence is to pass judgement. I can be very judgey. I learned how to do it from a friend of mine and then years and years of practice. It's addictive because it gives you the space to pontificate, which is, let's face it, kinda fun. I even used to love judgey zines, whose whole point of being was to judge (hence the transgression joy of them), like Beer Frame, a zine which wrote judgey letters to junk food companies. Another one I loved was The Curmudgeon' Home Companion, a small two page newsletter of grumpiness with recipes. Food and judgey seem to always go together. 

Anyway, like anything else, it's good to practice this stuff in moderation.

  

Judge away.

52 Haiku, Week 30

I loved this week! So happy to be back to my day-to-day job and I got so much done! It was lovely. Pot of Gold. Check.    

The Prompt: Pot of Gold

This week's prompt:

"When you realize nothing is lacking, the whole world belongs to you."
        – Lao Tzu

First task is to sit for a meditation on that for 5-10 minutes or however long you feel is good to you.

The Drawing

20190920_154506

My Haiku

…inspired by my drawing (which I have to admit I copied from another design online):

Through the fog of want:
the turret and golden leaves.
You're already there

The Reflection

I love the Kool Aid guy…enough to inspire my pop of gold face. And it's almost egregious that when they say "don't drink the kool aid," they're really talking about the sinister poison of propaganda disguised within the innocent sugary drink. Arms akimbo, he's really a sassy little pitcher.

 

Now your turn.

52 Haiku, Week 29

So much insanity this week and last. I've made it through two weeks of boss-gone coverage. Did some stress eating. Went to see the movie It.  I am looking forward to getting away soon, getting back into the routine. 

The Prompt: Letting Go

This week's prompt:

"Let go or be dragged."
        – Zen Proverb

First task is to sit for a meditation on that for 5-10 minutes or however long you feel is good to you.

The Drawing

20190913_135645

My Haiku

…inspired by my drawing (which I have to admit I copied from another design online):

Sitting and waiting:
Is it holding on or
Is it letting go?

The Reflection

This is great advice and I love this quote. So true. Tough love. And yet…am I the only one who has trouble getting to 100% on this? It's hard to know when is the time to give up before quitting too soon. If you someone who has a tendency to quit too soon, you know what I mean. Where is the line between an endurance run and futility?

There's plenty for me to let go of (mistakes I've made, stupid things I've said, fussy judgments I have)…but what about the good stuff about being dragged: on a sled, when you're being rescued, in a tickle fight…

Half the time I'm just winging it. And I worry about it; but maybe I need to let go of that?

 

Now your turn.

52 Haiku, Week 28

This week my boss is on vacation and I've been the boss. It has not been fun. Lots of wheels coming off this wagon. Well, not really but…it's been intense. This week's reflection was really helpful…everything is a brief flash of what it is and that's all (except actual tragedy, which this week falls way short of). I am not, however, a horse bred for intensity. I'm a meadow horse. I'm a lazy horse. 

The Prompt: Bubble in a Stream

Again this week's prompt is the last one from the Zen by the Brush book by Myoshi Nancy O'Hara. Thank you book for inspiring this project and getting us this far.

"Think in this way of all this fleeting world:
As a star at dawn, a bubble in a stream;
A dewdrop, a flash of lightning in a summer cloud,
A flickering lamp, a phantom, and a dream."
        – The Diamond Sutra

First task is to sit for a meditation on that for 5-10 minutes or however long you feel is good to you.

The Drawing

20190905_181534 (1) 20190905_181534 (1)

My Haiku

…inspired by my drawing(s):

All the coupling ands
A chain of exuberance
Shining, lighting out.

The Reflection

So it turns out, untutored a dew drop is damn hard for me to draw. I give you two of three pages of my attempts. I was struck by the ands in this Diamond Sutra: all the things AND a dream. How wonderful. 

 

What do you make of it?

52 Haiku, Week 27

So I feel better this week. There's rumblings that the art brawl group might get busy again. We'll feel productive anyway. I've had a whirlwind week at work prepping me for some vacation coverage. So being in the moment has been what it's been. Post move, I've organized a lot, done some home improvement and am ready to dive back into creative projects. That should help.

The Prompt: In the Moment

Again this week's prompt comes from the Zen by the Brush book by Myoshi Nancy O'Hara. 

"Live in the moment.
The starry sky is just there–
Where else can you be?"
        – Myochi

First task is to sit for a meditation on that for 5-10 minutes or however long you feel is good to you.

The Drawing

20190830_091529 (1)

 

My Haiku

…inspired by my drawing:

What you are given:
Wind, and the wind and the wind
And all the seeds…

The Reflection

🙂

 

Do it!

52 Haiku, Week 26

ScaryWe're at the halfway mark! Hard to believe. This year has gone by so fast. And this is an interesting halfway mark for me. This is the first quote prompt that felt somehow wrong, or something felt off about it.

The prompt is about letting go of outcomes and a leaf being part of a whole ecosystem, which sounds like connection on the surface. But this week I started to feel a dread that we can get so far into the idea of the big oneness that we can't see the small disconnections this might cause on the ground, so to speak.

To be honest, my gloom is in no small part disconnected from my reading the book Selfie by Will Storr. That combined with reading two women's fashion magazines that have gone very serious and dark. Very dark. What a day it is when women's fashion magazines find themselves doing undercover investigative journalism about sex predators and incels? And yet here we are.

This month's Instyle did a full issue on "bad-ass women" and one piece stuck out, an interview with two journalists, one who broke the Jeffrey Epstein story. The other Cosmopolitan  feature was about a woman tracking incels. Can I restate that these are women's magazines? I should be filling out the latest sex quiz, mocking perfume ads and reading reviews about the latest mascara technology. Not that I'm complaining.

We're not talking about hundreds of incels, either, but tens of thousands who are discussing the legalization of rape and disqualifying women from voting rights. And these aren't older men either. They're increasingly Millennials. And about a thousand of them might be militarized as well. This kind of puts microaggressions and glass ceilings in a frightening retro-perspective. 

So… I'm alarmed and thinking about my haiku and also struggling with the enormity of the threat and how to behave as a citizen of a country turning very dark. A lot of the advice we've been trading, politically speaking,  has either been ineffective or is solid but will need a generation to play out and bear fruit; which means a positive upturn in civil rights, science and economic fairness may not happen until after I'm dead. That didn't make me feel any better.

But it did make me more resolved to care much more where this little leaf falls. 

The Prompt: Disconnection

Again this week's prompt comes from the Zen by the Brush book by Myoshi Nancy O'Hara. 

"It couldn't care less
whose soil it may become:
Falling leaf."
        – Zen Poem

First task is to sit for a meditation on that for 5-10 minutes or however long you feel is good to you.

The Drawing

20190823_092954

 

 

My Haiku

…inspired by my drawing (and week):

In the letting go
a leaf has consequences
for the whole forest

The Reflection

I am not a leaf! A leaf doesn't have arms and legs or a voice or a blog.

 

Now it's your turn.

52 Haiku, Week 25

20190815_092408 20190815_092408I was exhausted this week. Threw my yearly big birthday party for my friends in Albuquerque (we're all May through August) and we played PlayDoh Pictionary and ChickenFoot. The day of the party my dog Franz had a tragic dingle-berry accident which took out 8 feet of the living room carpet temporarily. As a result, he had his first grooming of his life yesterday and he looks totally adorable! And so tiny!

Anyway, every new day is a new challenge and a new surprise. Those two things seem to come together.

The Prompt: Space to Rest Before Challenge

Again this week's prompt comes from the Zen by the Brush book by Myoshi Nancy O'Hara. 

"We ought to listen to music
or sit and practice breathing
at the beginning of every meeting or discussion.
"
        – Thich Nhat Hanh

First task is to sit for a meditation on that for 5-10 minutes or however long you feel is good to you.

The Drawing

20190816_095401 (1)

My Haiku

…inspired by my drawing:

Pitch and treble clef
The tone of terrible words
Echoing angry

The Reflection

I heard the common parable this week: time heals all wounds. And thinking about that today it seems space is a great healer afterwards. Maybe we should practice more space prior to. The problem is, these challenging discussions (often fraught with tensions and animosities) or these dingle-berry tragedies…they always surprise you and leave very little time for space, unless you stop the action and go breathe somewhere. Probably that should be a few yards away from the shitty situation, literally. 

Now you're turn.

52 Haiku, Week 24

20190809_070931 20190809_070931 20190809_070931

 

 

 

 

 

 

These are my sunflowers. Ever since I saw our old neighbors' sunflowers peeking over the wall at our last house, I've wanted to try to grow them. How can you be unhappy looking at a sunflower? Is it even physically possible? The third picture is a typical roadside, New Mexico sunflower like you'd find up near Harding County.  They're hardy but only one of the six I planted has done well. Supposedly they came from Kansas when the wagons coming down the Santa Fe Trail came through.

The first two pics are jumbo sunflowers. They love it here and grew really tall. But then a big windstorm last week blew them all over. I was so sad about it (and other worldly news that their blowing over seemed symbolic…you know how you do?).

But this morning I propped them back up and I noticed they're still kickin' it. Some new blooms are coming in, bent over or not. And wouldn't you know, the prompt this week amazingly applies. I actually did the drawing and haiku days ago when the flowers were still sad and blown over.

The Prompt: The Perseverance of Sunflowers

Again this week's prompt comes from the Zen by the Brush book by Myoshi Nancy O'Hara. 

"Everything
Changes in this world
But flowers will open
Each spring
Just as usual.
"
        – Zen Poem

First task is to sit for a meditation on that for 5-10 minutes or however long you feel is good to you.

The Drawing

20190808_111500

 

My Haiku

…inspired by my drawing:

Bending sunflower
Bends to the year and season.
But next year resumes.

The Reflection

Drawing flowers! That's my jam! My sunflower leaf is about to do a high, showgirl kick. I feel better now.

 

How about you?

A Book About Relationships and Aging

CleveI just read to cleave by Barbara Rockman, University of NM Press (2019). What I like best about Rockman’s poems are their quiet grace, like still-lifes, and her tight lines are scraped of superfluous language. She delights in the sounds of words and their repetition, alliteration and assonance. She packs a lot in a short line with a kind of strong economy of choice.

The quietness can be seen right in the first three poems: "Snow Cave," "Three Peaches on a White Plate" (I saw this one as an O’Keeffian still life and then later in the book found the poem “Letter from Georgia O’Keeffe to Alfred Stieglitz on Seeing His Photograph of Her Hands” which is a familiar construction of Georgia available to any Santa Fe visitor of the Georgia O’Keeffe museum) and "At Rest in the Rain."

There is a Santa Fe type of poet and a lot about this type has to do with the somewhat homogeneous ethnicity, money bracket, age group and interests/obsessions that occur in people who are drawn to Santa Fe, especially white, comfortable baby boomer poets. I happen to like that sort of poetry, (contemplative, spiritual, out-doorsy). As a white, Gen X, New Mexican, I’m not that far from it. But it can be repetitious once you’ve read ten books by Santa Fe poets about the spirit landscape and their travelogues. Rockman stands out for me in this pack. Her poems are pitch perfect and packed with the world in complex sentences. And she does this without seeming too self-obsessed or privileged.

In this book she writes about health, ("Absence of Wind" is a good example), family, childhood, motherhood, marriage, independence and all of those topics as they interrelate.

I really liked some of the experimental pieces, especially around juxtapositions that build connections instead of highlight randomness.

A good example is the poem â€śNews, Sendai, Japan | Beach Walk, Sanibel Island, USA” (a title with a pipe! I love it!) Seemingly parallel poems are laid out vertically down one page so you can be read vertically or horizontally to explore two separate but related worlds.

Another one would be â€śPost-Laryngoscopy, I Follow News of the Trapped Miners” which was a really satisfying exploration of tunnels.

A good example of her brevity and depth is found in the poem “Afterlife.” In it,  she uses the term “things will get serious” usually referred to in dating terms or something early in a relationship. In this instance shes talking about ill health affecting a older marriage and serious takes on a different meaning.

All through this collection Rockman seems to be trying to figure out how it should be said and how to get it all said…

“and what is/said will be all.”

The Other Nautilus Prize 2019 Winners

IsakoWhen I come in as a silver winner or finalist in a book competition, I usually like to buy the winning book(s). And because the Nautilus Award was so particular in its vision, I ended buying and reading all the runners up in my category.

The same book was the winner in both the Indie Excellence Awards and the Nautilus awards, Isako Isako by Mia Ayumi Malhotra. Her book has received good press and placed finalist in many other awards as well. It was an enigmatic book that was hard for me to penetrate at first, poems about a survivor of a Japanese-American internment camp in WWII. I'm interested in this history but I still found the poems opaque. I want to say the point of view in those poems belonged to her mother but I can’t really back that up.

However, the book ends with some amazing poems about the poet and her mother, including these great poems:

“Isako Shows Her Daughter How to Ply the Line”

“Isako, Last Spring” (about her mother dying)

“The Losing Begins” (ditto), also titled "The End When It Comes" in this journal: https://readwildness.com/6/malhotra-comes

“Salmon Song: Migration”

Interestingly but I guess not surprising, all the silver winners in the Nautilus poetry genre were books with a Buddhist bent. Not only that but all three books included references to New Mexico: mine fully but the other two in brief glances. There’s some connection between the New Mexico landscape and Zen Buddhism. I talk more about this in the PDF travel guide to my book. It's a thing.

SchoolThe School of Soft Attention by Frank LaRue Owen was full-on New Mexico in parts. He references living there for a while and the Rio Grande and Bandelier.

I liked his introduction about the process of writing and spirituality. His poems seemed like very personal meditations.

"Once Through"

"There is Only One Poem

"The Flower in the Mountain

One of his poems reminded me of my own poem “Kneading” about baking and Zen. In a poem called “Almond Eyes,” he ends with “love is what/makes the dough/rise, not yeast.”

 

ExpanseThe Expanse of All Things by James Scott Smith was a great book of more universal (yet still personal) meditations. His poems were long and thin and like Owen’s steeped in nature and personal contemplations. 

"Mystic

"The Wound"

"Sangre de Cristo" (a mountain range in northern NM and southern Colorado)

"Chasm

"Seed

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