Reinventing the Life of a Poet in the Modern World

Month: February 2016

News Roundup for February

SapphoPoet Ross Gay is on a roll: He talks gardens and gratitude (The Los Angeles Times

Third set of Lesbian Poet Trading Cards due out in March (Chicago Tribune)

Katie Holmes on Playing a Bipolar Poet (Wall Street Journal)

Sex trafficking victim is now a famous poet (Asia One)
Bangladeshi woman whose poetry collections were published from India last year after her rescue from a sex racket there and published under the pseudonym Chhaya.

James Franco is not a Queer Poet (City Paper)

Local poet/activist to open bed and breakfast catering to visiting artists later this year (Metro Times)

What can a poet tell us about the Zika virus? (Washington Post)

In Iran, A Poet's 700-Year-Old Verses Still Set Hearts Aflame (NPR)

New hardcover book on Sappho (W.W. Norton)

Experts to probe death of Chilean poet Pablo Neruda (Yahoo! News)
Will this exhumation ever end??

8 Battlefield Poets of World War I (History.com)

New take on notions of Audre Lorde, 'warrior poet' (Windy City)

Other Interesting Links

Famous Novelists on Symbolism in Their Work and Whether It Was Intentional (Mental Floss)

When Teamwork Doesn’t Work for Women (New York Times)
Think tenure and co-authorships.

Prison poetry makes it to the outside

At Monsieur Big Bang’s local coffee shop he found a handout of a poem written by a "free man in solitary confinement in KS prison" discussing "corporate masters, born into slavery and taking back, lives, liberties and pursuits of Happiness and redistributing wealth back to the majority.”

Devoid of any figurative fanciness, it was full of verb and in the now. Sure it was a hodge-podge of a call to political action but political poetry is alive and well behind the wall.

 

  

The Quote-Unquote Golden Age

AdI follow a marketing newsletter which last year alerted me to this gem of an article from Ad Age, “There Was No Golden Age of Advertising, So Quit Pining for It, If You Haven't Seen Any Good Work Lately, Then You Don't Know What It Looks Like”

Wow punks! The title says it all. Do we even need to read an piece after this? Well, okay….it has good stuff, too. And remember, this all applies to the state of poetry, too.

Ken Wheaton says,

“Remember back in the day when everything was better? The air was clean and a golden light shone on everything, including advertising. Especially advertising. Every once in a while, we'll get a letter at Ad Age or, more likely, a web comment on one of our stories, bemoaning the passage of the golden age of advertising, when Creative Giants roamed the offices, brilliant ad copy trailing in their wakes. Their worst ideas were better than anything these young punks are putting out today, what with their bits and bytes and snap-tweets and Huluzons and what have you. Why don't you all just get off my lawn?!? Wait. I got carried away. The fact is, there was no golden age. It didn't happen in learning, religion, world peace or advertising…. So instead of hunting for a past golden age, do your best to make future generations think this was their golden age."

Here's another quote for thought:

"Yesterday's the past, tomorrow's the future, but today is a gift. That's why it's called the present." – Bil Keane

Ick

Ah, the golden years.

   

How to Become Well-Rounded Poet

FoodHere's an idea: the way to becoming a well-rounded poet is similar to the way to becoming a well-rounded person. And spring is the perfect season to broaden your horizons.

In the movie about the collaboration between W. S. Gilbert and Sir Arthur Sullivan, Topsy Turvey, Gilbert is accused of being in a rut, writing the same ole story over and over and his composer Sullivan just doesn’t want to do it anymore. Meanwhile, Gilbert's wife goads him into attending the local Japanese Expo where he witnesses a new culture for the first time. One of the great, great scenes in the movie is a closeup of Gilbert as this new cultural information translates into a novel idea for him. Literally, Gilbert enacts the moment when a new thought appears like a sparkle in his eye. Jim Broadbent plays Gilbert and gives an amazing performance of this experience. Their musical The Mikado is the result of this inspiration.

Spring is the time for new input opportunities for your eyes, ears and smells!

  • Go to see new art exhibits at local museums and galleries.
  • Rent art documentaries from your local library.
  • Take an online class on a composer or find music documentaries from your local library.
  • Find out when your nearest city is having their Restaurant Week and price fix on fine dining for a fraction of the cost. Search Google for "Restaurant Week" and your city name.
  • Go see the Oscar Shorts at your local theater or online.  Oscar shorts are the short films nominated for Oscars in the categories of live action, animation and documentary. They tend to be very poem like in their constraints of length and storytelling.

Often art-changing inspiration can be found by taking a chance on something completely new.

  

New Year, New Poetry Magazines

Magazines1So for the last two or three years I’ve been trying out poetry journals, newsletters and organizations. Really learned a lot but I’ve made some changes this year. In review:

The Scottish Poetry Library newsletter was great, friendly and full of awesome community outreach programs and activities but was pretty pricey if you live stateside. I had to give it up for a while.

The Poetry Society of America provided not much return for your membership (except a membership card) unless you live in New York City and can take advantage of their programs and outreach. For instance, when I lived there in the 1990s I enjoyed their poems on posters in the subways.

The Academy of American Poets, who publishes the 2x–a-year American Poets magazine which has really good brief essays and a nice variety of poems and enticing, yet brief reviews. But that only comes out a few times a year. And the price is high considering. But you also get copies of their award-winning books, depending on your membership level. Of all the books I’ve received over the last few years, I only liked one of them. The majority were experimental, language-y books, which I don't dislike but not as a majority of what I read. I will probably go back to them at some point. You also get their National Poetry Month poster with your membership but you can get that separately from their website.

Poetry magazine. I feel torn about this one. Sometimes I loved it. But usually I didn’t. I tended to enjoy more their themed issues. The essays were hit and miss, sometimes affectedly esoteric. The visual content was always good. The key for me was when the thing arrived in the mail. Did I feel burdened about its arrival or excited? The truth was I never felt excited. Does this mean I’m not a sophisticated poetry reader? The Costa Rican poet Luis Chavez from the October 2015 issue, however, proves to me why Poetry is an indispensable journal. He felt like a miracle to find and he’s available nowhere else in translation yet.

American Poetry Review. Now this magazine I was always excited to receive, mostly for its essays which hit just the right tone and variety. However, after two years or so years reading it I’m still seeing the same authors over and over again. This, too, I will probably return for at some later time but if exploring is my goal and money is limited, I have to quit some of these journals for a time.

The only holdover is Poets & Writers which feels indispensable and community-connecting. I’m also keeping One Story. I enjoyed every issue from last year, its inexpensive and a subscription I'm sharing with friends.

My new journals this year are Rattle, Lapham’s Quarterly and The New Yorker, which I haven’t ever enjoyed previously but they made me an offer I couldn’t refuse.

  

Langston Huges and Black History Month

LangstonFrom The New York Times last week:

It’s fitting that today, the birthday of Langston Hughes — the poet and leading figure of the Harlem Renaissance — is also the start of Black History Month.

His novels, stories, plays and poems opened the eyes of many to the African-American experience. And they continue to do so.

Hughes got his break while working as a busboy at a Washington hotel. He slipped his poems next to the plate of the poet Vachel Lindsay who read them and was immediately impressed.

Introductions were made and Hughes was soon a published poet. He received a full scholarship to Lincoln University in Pennsylvania, and his debut book, “The Weary Blues,” was released even before he graduated in 1929.

Hughes was born in Joplin, Mo., and his parents’ divorce forced him to move around a lot.

One of those moves was fortuitous. He was named “class poet” in grammar school in Lincoln, Ill. He later said he believed he was chosen because of a stereotype that blacks had rhythm.

“There were only two of us Negro kids in the whole class and our English teacher was always stressing the importance of rhythm in poetry,” he said.

It led Hughes to try his hand at writing, and the rest is literary history.

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