My day job is posting and editing web content so I'm always interested in user experience design and testing. I've read a few books on the topic, like Don't Make Me Think by Steve Krug, The Art and Science of Web Design by Jeffrey Veen and Information Architecture by Morville & Rosenfeld. But to brush up for my new job I've been taking an online class on user testing and reading The Hipper Element's UX Crash Course in 31 days.
What is most fascinating to me is that user experience can be applied to anything, especially writing poems.
The Hipper Elements article #26 on persuasion is particularly interesting for those of us interested in how to speak with authority through a poem.
This list of cognitive biases is also something every poet should read. We all write with these biases and read with them.
Everything involves user experience…even a poem. Think about a poem’s user experience.
Thinking Back to the Book
For my job, I also read the latest edition (with illustration by Maria Kalman) of The Elements of Style by Strunk and White. I thought I had read it before but turns out I get this book confused with On Writing Well by William Zinsser which we read in college composition class. Both of these are great book to re-read and yet Strunk and White's aim toward brevity leaves my Proustian sensibility feeling somewhat chilly. Absolute clarity is sometimes a route devoid of any atmosphere. Colloquialisms have power. And some superfluous words work to add emphasis and personality which a flat Stunk and White sentence lacks.
I took exception with the books distaste for the word offputting as in "That gesture is offputting. I am put off by it." I can visualize it. Personally is another emphatic word I would make an argument for, as in "Personally, I liked it." Yes, it's redundant but it lets the stress sit on the speaker when over-emphasizing the word I sounds silly.
In news related to words and the Internet, father of the Internet Vint Cerf says we may be entering a digital dark age. Read the full BBC News article.
Think about all your poems lost on floppy discs and you will understand his point. At some point in the future we will have devices that can't read our poems in outdated Microsoft Word files from 2007. Aren't you already annoyed by .docx files you can't open from your older computers?
While Cerf and others are working on very smart solutions to keep the world's content (including poetry) accessible, consider this when saving and publishing electronically.
On some level, I feel we might be over thinking a problem we created ourselves. After all, aren't books so far the most sturdy, eternal and accessible technology? Sure, they're burnable in libraries. But it would be pretty hard to destroy every copy of a popular book like the Bible or Dickens' A Tale of Two Cities which is still doing pretty good on the list of best-selling books.
Books consume trees, but technology creates the physical trash of discarded plastic phones, computers and eReaders.
One drawback of the emerging technologies is their very asset: they continually improve. Our current content technologies are never static. Web browsers, software and hardware become outdated and unusable. eReaders will probably suffer the same fate. And the corporations pushing them are always itching to make prior evolutions archaic in order to force consumers to make a repurchase every few years.
Books, being pretty simple, seem to be immune from this dastardly cycle of expiration. It may get smelly, but I can still pick up a book from a hundred years ago and access its content.
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